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home·artworks·Heat of the Day, Venice
Heat of the Day, Venice by James Charles

plate no. 5992

Heat of the Day, Venice

James Charles, 1892

oilImpressionismgenre paintingbuildingswaterfiguregondolacityscapesky
some experience helpful

Recreating this painting will help students develop skills in depicting reflections in water and capturing the atmospheric perspective of a cityscape. It also provides practice in rendering figures and architectural details with loose, impressionistic brushstrokes.

technical profile

palette complexity
4
brushwork visibility
4
value contrast
3
compositional simplicity
3

study guide

est. 12 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, focusing on the placement of the buildings, water, and figures.

  2. step 02

    Establish the sky and water with broad washes of color, paying attention to the subtle variations in tone.

  3. step 03

    Block in the main shapes of the buildings and architectural details, using a limited palette of earth tones.

  4. step 04

    Add the figures and gondola, focusing on capturing their gestures and forms with simple shapes.

  5. step 05

    Develop the reflections in the water, using broken brushstrokes and subtle color variations.

  6. step 06

    Refine the details of the buildings and figures, adding highlights and shadows to create depth.

  7. step 07

    Add the finishing touches, such as the details on the gondola and the highlights on the water.

  8. step 08

    Step back and assess the overall balance and harmony of the painting, making any necessary adjustments.

color palette

primary · raw umber · titanium white · cadmium red light

secondary · ultramarine blue · yellow ochre · ivory black

Achieve the subtle variations in the water by mixing blues, greens, and browns with white. Create the warm tones of the buildings by mixing reds, yellows, and browns.

techniques

  • ·broken color
  • ·wet-on-wet blending
  • ·scumbling
  • ·atmospheric perspective
  • ·alla prima

common pitfalls

  • →Overworking the details and losing the impressionistic feel.
  • →Failing to capture the subtle variations in color and tone.
  • →Ignoring the importance of atmospheric perspective.
  • →Getting the proportions of the buildings and figures wrong.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·oil paints
  • ·palette
  • ·palette knife
  • ·assorted brushes (round and flat)
  • ·linseed oil
  • ·turpentine
  • ·rags

optional

  • ·medium gloss
  • ·easel
  • ·color wheel

Use a medium-sized canvas (e.g., 16x20 inches) to allow for sufficient detail. Consider using a toned canvas to speed up the painting process.

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related guides

oil painting for beginners →color theory for painters →how to learn by studying the masters →
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