apprentice
artistsserieslearnchatartworkscommunity gallery
apprentice

deliberate practice for serious artists

aboutgalleryprivacyterms
built by reducibl.com
home·artworks·Heat Haze
Heat Haze by Dorrit Black

plate no. 8696

Heat Haze

Dorrit Black, 1919

oilImpressionismlandscapelandscapehillsskybuildingstreesfence
some experience helpful

Recreating this painting will help students understand atmospheric perspective and how to create depth using color and value changes. It also provides practice in simplifying complex forms into basic shapes.

technical profile

palette complexity
3
brushwork visibility
4
value contrast
3
compositional simplicity
4

study guide

est. 8 hrs

approach — 8 steps

  1. step 01

    Sketch the basic shapes: mountain, hills, buildings, and foreground.

  2. step 02

    Establish the sky color with a thin wash of muted pink and yellow.

  3. step 03

    Block in the mountain and hills with a base layer of muted purples and blues, varying the values to suggest form.

  4. step 04

    Add the distant buildings with simplified shapes and muted colors.

  5. step 05

    Paint the foreground field with a mix of yellows, browns, and greens, using broken brushstrokes to create texture.

  6. step 06

    Add the fence using thin lines and varying the spacing to create perspective.

  7. step 07

    Refine the details of the trees and bushes in the foreground, focusing on capturing their overall shape rather than individual leaves.

  8. step 08

    Add final highlights and shadows to enhance the sense of depth and atmosphere.

color palette

primary · titanium white · ultramarine blue · yellow ochre · burnt umber

secondary · cadmium red light · viridian green

Achieve the muted colors by mixing complementary colors (e.g., blue and orange) with white. Use more blue and white for distant objects to create atmospheric perspective.

techniques

  • ·dry brushing
  • ·scumbling
  • ·atmospheric perspective
  • ·color mixing
  • ·broken color

common pitfalls

  • →Overworking the details and losing the overall impressionistic effect.
  • →Using colors that are too saturated and not muted enough.
  • →Failing to create a sense of depth through atmospheric perspective.
  • →Making the brushstrokes too uniform and lacking variation.

materials

surface · stretched canvas

required

  • ·stretched canvas 12x24
  • ·titanium white oil paint
  • ·ultramarine blue oil paint
  • ·yellow ochre oil paint
  • ·burnt umber oil paint
  • ·#4 round brush
  • ·#6 flat brush
  • ·palette knife

optional

  • ·linseed oil
  • ·turpentine
  • ·medium gloss

Use a canvas with a medium texture to allow for broken brushstrokes. Consider toning the canvas with a thin wash of burnt umber before starting.

tips & new artworks in your inbox

no spam — unsubscribe anytime.

or to save artworks, chat, and track progress

related guides

oil painting for beginners →color theory for painters →how to learn by studying the masters →
chat about this artwork

in this vein

related artworks

View of the Bosphorus and Rumeli Hisarı

View of the Bosphorus and Rumeli Hisarı

Sevket Dag

Paysage du Midi

Paysage du Midi

Armand Guillaumin

Self-Portrait

Self-Portrait

Frederic Bazille

Tip of the Bay

Tip of the Bay

Max Kurzweil

Long Stemmed Lovelies

Long Stemmed Lovelies

Pino Daeni

At Rosetta, Lower Egypt

At Rosetta, Lower Egypt

John Varley II

House from Oltenia

House from Oltenia

Theodor Pallady

Jewish quarter in Amsterdam

Jewish quarter in Amsterdam

Max Liebermann