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home·artworks·Headpiece for 'Good for the Soul'
Headpiece for 'Good for the Soul' by Howard Pyle

plate no. 7164

Headpiece for 'Good for the Soul'

Howard Pyle, 1898

oilImpressionismillustrationhorsecarriageroadlandscapetreesfigures
some experience helpful

Recreating this painting will help students develop skills in atmospheric perspective and rendering form with loose brushstrokes. It also provides practice in depicting a complex subject like a horse and carriage in motion.

technical profile

palette complexity
3
brushwork visibility
4
value contrast
3
compositional simplicity
3

study guide

est. 8 hrs

approach — 8 steps

  1. step 01

    Lightly sketch the main shapes: the road, hills, horse and carriage, and buildings.

  2. step 02

    Establish the horizon line and basic perspective of the road.

  3. step 03

    Block in the large areas of color: sky, road, hills, and trees, using thin washes.

  4. step 04

    Add darker values to define the shadows and forms of the horse, carriage, and trees.

  5. step 05

    Begin to refine the details of the horse and carriage, paying attention to anatomy and proportion.

  6. step 06

    Add details to the landscape, such as the stone walls and buildings.

  7. step 07

    Use dry brush techniques to create texture in the road and foliage.

  8. step 08

    Add final highlights and details to create depth and visual interest.

color palette

primary · raw umber · titanium white · ultramarine blue

secondary · cadmium red light · yellow ochre · sap green

The road color is achieved by mixing raw umber, white, and a touch of red. Greens are created by mixing blue, yellow ochre and a touch of raw umber to dull them.

techniques

  • ·dry brushing
  • ·atmospheric perspective
  • ·broken color
  • ·scumbling
  • ·layering

common pitfalls

  • →Overworking the details too early
  • →Creating mud by over-mixing colors
  • →Ignoring the perspective of the road
  • →Failing to capture the movement of the horse

materials

surface · stretched canvas

required

  • ·stretched canvas 12x16
  • ·#4 round brush
  • ·#6 flat brush
  • ·raw umber oil paint
  • ·titanium white oil paint
  • ·ultramarine blue oil paint
  • ·palette

optional

  • ·palette knife
  • ·linseed oil
  • ·odorless mineral spirits

Use a medium-grit canvas for better texture. Consider using a limited palette to simplify color mixing.

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related guides

oil painting for beginners →color theory for painters →how to learn by studying the masters →
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