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home·artworks·Head of St. John the Baptist
Head of St. John the Baptist by Andrea Solario

plate no. 7017

Head of St. John the Baptist

Andrea Solario, 1507

oilHigh Renaissancereligious paintingheadreligious figuretableplatedark backgroundhair
experienced study

Recreating this painting will help students develop skills in portraiture, particularly rendering realistic skin tones and hair, and understanding light and shadow to create form. It also provides practice in painting reflective surfaces and creating a sense of depth.

technical profile

palette complexity
4
brushwork visibility
3
value contrast
4
compositional simplicity
3

study guide

est. 25 hrs

approach — 8 steps

  1. step 01

    Sketch the basic shapes and composition, paying attention to proportions and placement of the head, plate, and table.

  2. step 02

    Establish the background with a dark, even tone.

  3. step 03

    Block in the main areas of color on the face, hair, plate, and table, focusing on the overall value structure.

  4. step 04

    Begin to refine the facial features, adding highlights and shadows to create form and volume.

  5. step 05

    Work on the hair, using small brushstrokes to create texture and detail.

  6. step 06

    Paint the plate, paying attention to the reflections and highlights on the metal surface.

  7. step 07

    Add details to the table, including any subtle variations in color and texture.

  8. step 08

    Refine the overall painting, adjusting values and adding final details to create a sense of realism.

color palette

primary · ivory black · raw umber · yellow ochre · titanium white

secondary · burnt sienna · cadmium yellow light · alizarin crimson

Achieve skin tones by mixing white, yellow ochre, and a touch of burnt sienna or alizarin crimson. Use ivory black mixed with raw umber for the dark background and shadows. Mix cadmium yellow light with white for the gold highlights.

techniques

  • ·glazing
  • ·scumbling
  • ·chiaroscuro
  • ·blending
  • ·portraiture

common pitfalls

  • →getting the proportions wrong
  • →overworking the details too early
  • →not creating enough contrast
  • →making the skin tones look flat

materials

surface · stretched canvas

required

  • ·stretched canvas 16x20
  • ·#2 round brush
  • ·#4 filbert brush
  • ·#6 flat brush
  • ·ivory black oil paint
  • ·raw umber oil paint
  • ·yellow ochre oil paint
  • ·titanium white oil paint

optional

  • ·palette knife
  • ·medium gloss
  • ·refined linseed oil
  • ·turpentine

Use high-quality oil paints for best results. Consider using a toned canvas to create a warmer base for the painting.

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