apprentice
artistsserieslearnchatartworkscommunity gallery
apprentice

deliberate practice for serious artists

aboutgalleryprivacyterms
built by reducibl.com
home·artworks·Head of St. Andrew
Head of St. Andrew by Leonardo da Vinci

plate no. 8359

Head of St. Andrew

Leonardo da Vinci

chalk, paperHigh Renaissancereligious paintingfigureportraitreligious figurebeardprofile
some experience helpful

Recreating this drawing will help students develop skills in portraiture, particularly in capturing subtle tonal variations and creating a sense of depth through shading. Students will also learn to simplify complex forms into basic shapes.

technical profile

palette complexity
3
brushwork visibility
2
value contrast
3
compositional simplicity
4

study guide

est. 10 hrs

approach — 8 steps

  1. step 01

    Lightly sketch the basic shapes of the head, neck, and shoulders, paying attention to proportions.

  2. step 02

    Establish the overall tonal range by applying a mid-tone wash to the entire drawing surface.

  3. step 03

    Begin to define the darker areas of the face and background, gradually building up the shadows.

  4. step 04

    Use a kneaded eraser to lift out highlights and refine the shapes of the facial features.

  5. step 05

    Focus on capturing the subtle gradations of tone on the face to create a sense of volume.

  6. step 06

    Add details to the beard, paying attention to the direction of the hair growth.

  7. step 07

    Refine the edges of the figure and background to create a sense of depth.

  8. step 08

    Add final touches and adjust the overall tonal balance.

color palette

primary · raw umber · ivory black · titanium white

secondary · yellow ochre · burnt sienna

Achieve the skin tones by mixing white with small amounts of raw umber, yellow ochre, and burnt sienna. Use ivory black to darken the shadows and create a sense of depth.

techniques

  • ·blending
  • ·hatching
  • ·cross-hatching
  • ·tonal shading

common pitfalls

  • →Overworking the drawing and losing the sense of spontaneity.
  • →Failing to establish a strong tonal range.
  • →Getting bogged down in details before establishing the overall form.
  • →Not paying attention to the proportions of the face.

materials

surface · smooth drawing paper

required

  • ·smooth paper
  • ·charcoal pencils (HB, 2B, 4B)
  • ·kneaded eraser
  • ·blending stumps
  • ·sandpaper block
  • ·fixative spray

optional

  • ·tortillon
  • ·chamois cloth
  • ·ruler

Use a smooth paper with a slight tooth to allow for easy blending. A variety of charcoal pencils will allow for a wider range of tonal values.

tips & new artworks in your inbox

no spam — unsubscribe anytime.

or to save artworks, chat, and track progress

related guides

how to draw →how to learn by studying the masters →
chat about this artwork

in this vein

related artworks

The Adoration of the Kings

The Adoration of the Kings

Giorgione

The Annunciation

The Annunciation

Vittore Carpaccio

Madonna and Child with Saints Liberale and Francis (The Castelfranco Madonna)

Madonna and Child with Saints Liberale and Francis (The Castelfranco Madonna)

Giorgione

St. Helena

St. Helena

Cima da Conegliano

St. Nicholas of Tolentino

St. Nicholas of Tolentino

Pietro Perugino

Portrait of Elizabeth Gonzaga

Portrait of Elizabeth Gonzaga

Raphael

Sibyl

Sibyl

Dosso Dossi

Madonna with Child and Saints

Madonna with Child and Saints

Raphael