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home·artworks·Head of an Oriental man (Portrait of Mustapha)
Head of an Oriental man (Portrait of Mustapha) by Théodore Géricault

plate no. 3981

Head of an Oriental man (Portrait of Mustapha)

Théodore Géricault, 1820

oil, canvasRomanticismportraitportraitmanturbanclothingfacehead
some experience helpful

Recreating this painting will help students develop skills in portraiture, including capturing likeness and rendering skin tones. It also offers practice in depicting fabric and creating a sense of depth through value and color.

technical profile

palette complexity
4
brushwork visibility
4
value contrast
4
compositional simplicity
4

study guide

est. 20 hrs

approach — 8 steps

  1. step 01

    Create a light sketch of the head, turban, and shoulders, paying attention to proportions.

  2. step 02

    Block in the background with a dark, neutral color.

  3. step 03

    Establish the main light and shadow areas on the face and turban using thin washes of color.

  4. step 04

    Begin layering colors to build up the skin tones, focusing on subtle variations in hue and value.

  5. step 05

    Develop the details of the turban, paying attention to the patterns and folds.

  6. step 06

    Refine the features of the face, including the eyes, nose, and mouth.

  7. step 07

    Add details to the clothing and background.

  8. step 08

    Apply final glazes to unify the painting and enhance the colors.

color palette

primary · burnt umber · raw sienna · titanium white · cadmium red

secondary · ivory black · yellow ochre · sap green

Mix skin tones by blending burnt umber, raw sienna, and titanium white. Use cadmium red for the lips and cheeks. Create shadows by adding ivory black to the skin tone mixture. The turban uses a mix of red, white, and touches of green and yellow ochre.

techniques

  • ·portraiture
  • ·glazing
  • ·scumbling
  • ·chiaroscuro
  • ·color mixing

common pitfalls

  • →Getting the proportions of the face wrong.
  • →Overworking the details too early in the process.
  • →Using colors that are too saturated.
  • →Failing to create a sense of depth and form.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·oil paints
  • ·linseed oil
  • ·turpentine
  • ·palette
  • ·assorted brushes (round and flat)
  • ·palette knife
  • ·rags

optional

  • ·medium gloss
  • ·retouch varnish
  • ·easel

Use a medium-grain canvas for best results. Consider using a limited palette to simplify the color mixing process.

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oil painting for beginners →how to learn by studying the masters →
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