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home·artworks·Head of An Old Man
Head of An Old Man by Thomas Stuart Smith

plate no. 1258

Head of An Old Man

Thomas Stuart Smith

oil, canvasRomanticismportraitportraitmanbeardhairfacefigure
some experience helpful

Recreating this painting will help students develop skills in portraiture, particularly in rendering realistic skin tones and creating the illusion of depth through subtle value changes. It also provides practice in capturing the texture of hair and beard using varied brushstrokes.

technical profile

palette complexity
3
brushwork visibility
4
value contrast
3
compositional simplicity
5

study guide

est. 15 hrs

approach — 8 steps

  1. step 01

    Begin with a light sketch outlining the basic proportions and composition.

  2. step 02

    Establish the background with a thin wash of dark brown.

  3. step 03

    Block in the main areas of the face, hair, and beard with mid-tones.

  4. step 04

    Gradually build up the darker values in the shadows, paying attention to the form.

  5. step 05

    Add highlights to the face, hair, and beard, using lighter shades of the base colors.

  6. step 06

    Refine the details of the eyes, nose, and mouth.

  7. step 07

    Add texture to the hair and beard using short, broken brushstrokes.

  8. step 08

    Make final adjustments to the values and colors to create a cohesive and realistic portrait.

color palette

primary · burnt umber · raw umber · titanium white · yellow ochre

secondary · cadmium red light · ivory black

Mix skin tones by blending burnt umber, raw umber, yellow ochre, and titanium white. Use cadmium red light sparingly for warmth. Darken values with ivory black and lighten with titanium white.

techniques

  • ·glazing
  • ·scumbling
  • ·dry brushing
  • ·chiaroscuro
  • ·portraiture

common pitfalls

  • →Overworking the details too early in the process.
  • →Creating muddy colors by overmixing.
  • →Ignoring the subtle value changes that create form.
  • →Failing to capture the likeness of the subject.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·burnt umber oil paint
  • ·raw umber oil paint
  • ·titanium white oil paint
  • ·yellow ochre oil paint
  • ·cadmium red light oil paint
  • ·ivory black oil paint
  • ·assorted brushes (round, flat, filbert)

optional

  • ·palette knife
  • ·linseed oil
  • ·odorless mineral spirits
  • ·medium gloss

Use a medium-textured canvas to allow for better paint adhesion. Consider using a limited palette to simplify the color mixing process.

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