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home·artworks·Head of a Young Woman with Tousled Hair (Leda)
Head of a Young Woman with Tousled Hair (Leda) by Leonardo da Vinci

plate no. 5867

Head of a Young Woman with Tousled Hair (Leda)

Leonardo da Vinci, 1508

gouache, wood, oilHigh Renaissanceportraitfigureportraitwomanhairfaceeyes
some experience helpful

Recreating this painting will help students develop skills in portraiture, particularly in capturing subtle tonal variations and creating soft, diffused edges. It's also a good exercise in limited palette painting.

technical profile

palette complexity
2
brushwork visibility
3
value contrast
3
compositional simplicity
4

study guide

est. 12 hrs

approach — 8 steps

  1. step 01

    Prepare a toned canvas with a warm brown base.

  2. step 02

    Lightly sketch the basic shapes of the head, hair, and shoulders using charcoal or a light wash.

  3. step 03

    Begin blocking in the darkest values with a thin mixture of burnt umber and a touch of black.

  4. step 04

    Gradually build up the mid-tones using mixtures of burnt umber, raw sienna, and white.

  5. step 05

    Focus on creating smooth transitions between light and shadow, especially on the face.

  6. step 06

    Add subtle highlights to the face and hair using a lighter mixture of white and raw sienna.

  7. step 07

    Refine the details of the eyes, nose, and mouth, paying close attention to the subtle curves and contours.

  8. step 08

    Soften edges and blend transitions to create a sfumato effect.

color palette

primary · burnt umber · raw sienna · titanium white

secondary · ivory black

Achieve the subtle tonal variations by gradually adding white to the burnt umber and raw sienna mixture. Use black sparingly to deepen shadows.

techniques

  • ·grisaille
  • ·sfumato
  • ·tonal blending
  • ·glazing

common pitfalls

  • →Overworking the details too early in the process.
  • →Creating harsh lines and edges instead of soft transitions.
  • →Using too much black, which can make the painting look muddy.
  • →Failing to capture the subtle nuances of the facial expression.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·burnt umber oil paint
  • ·raw sienna oil paint
  • ·titanium white oil paint
  • ·ivory black oil paint
  • ·linseed oil
  • ·odorless mineral spirits
  • ·assorted soft brushes

optional

  • ·palette knife
  • ·retouch varnish

A smooth canvas surface is ideal for achieving the soft, blended effects in this painting. Consider using a pre-toned canvas to save time.

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related guides

oil painting for beginners →how to learn by studying the masters →
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