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home·artworks·Head of a young man
Head of a young man by Egisto Ferroni

plate no. 6029

Head of a young man

Egisto Ferroni, 1860

oilRomanticismportraitportraitmanheadfaceclothing
some experience helpful

Recreating this painting will help students understand value relationships in portraiture and practice blending techniques to create smooth transitions between light and shadow. It also offers practice in capturing likeness and expression with a limited palette.

technical profile

palette complexity
2
brushwork visibility
3
value contrast
4
compositional simplicity
5

study guide

est. 8 hrs

approach — 8 steps

  1. step 01

    Lightly sketch the basic shapes and proportions of the head, hat, and shoulders.

  2. step 02

    Establish the darkest and lightest values with thin washes of paint.

  3. step 03

    Begin to build up the mid-tones, focusing on the planes of the face.

  4. step 04

    Carefully blend the transitions between values to create a smooth, realistic effect.

  5. step 05

    Add details to the eyes, nose, and mouth, paying attention to subtle shifts in value.

  6. step 06

    Refine the shape of the hair and hat, adding texture with short brushstrokes.

  7. step 07

    Adjust the overall values and contrast to create a sense of depth and dimension.

  8. step 08

    Add final highlights and details to complete the portrait.

color palette

primary · ivory black · titanium white · raw umber

secondary · burnt umber

Achieve the various shades of gray by mixing black and white in different proportions. Add small amounts of raw umber or burnt umber to warm up the grays and create subtle variations in tone.

techniques

  • ·value study
  • ·blending
  • ·chiaroscuro
  • ·glazing
  • ·portraiture

common pitfalls

  • →Over-blending, which can result in a flat, lifeless appearance.
  • →Failing to establish a strong value structure early on.
  • →Getting lost in details before establishing the overall form.
  • →Inaccurate proportions in the initial sketch.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·ivory black oil paint
  • ·titanium white oil paint
  • ·raw umber oil paint
  • ·round brushes (various sizes)
  • ·palette
  • ·linseed oil
  • ·odorless mineral spirits

optional

  • ·palette knife
  • ·medium gloss
  • ·burnt umber oil paint

A smooth canvas will be easier for blending. Consider using a toned canvas (light gray or brown) to help establish the mid-tones.

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