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home·artworks·Head of a Young Man
Head of a Young Man by Andrea del Sarto

plate no. 6823

Head of a Young Man

Andrea del Sarto, 1520

chalk, paperHigh Renaissanceportraitportraitheadfigurehairmale
some experience helpful

Recreating this drawing will help students develop skills in rendering form with hatching and cross-hatching, and understanding light and shadow on the human face. It also provides practice in capturing likeness and expression.

technical profile

palette complexity
2
brushwork visibility
3
value contrast
3
compositional simplicity
4

study guide

est. 8 hrs

approach — 8 steps

  1. step 01

    Lightly sketch the overall head shape and proportions.

  2. step 02

    Establish the basic planes of the face with light lines.

  3. step 03

    Begin adding darker values to the shadow areas, using hatching.

  4. step 04

    Build up the values gradually, using cross-hatching to deepen shadows.

  5. step 05

    Pay attention to the direction of the lines to suggest form.

  6. step 06

    Add details to the eyes, nose, and mouth.

  7. step 07

    Render the hair with loose, flowing lines, varying the pressure to create highlights and shadows.

  8. step 08

    Refine the drawing, adding subtle details and adjusting values as needed.

color palette

primary · red chalk · sanguine

secondary · ivory black

Vary the pressure and layering of the red chalk to achieve different values. Use black sparingly to deepen the darkest shadows.

techniques

  • ·hatching
  • ·cross-hatching
  • ·contour drawing
  • ·value shading
  • ·line weight variation

common pitfalls

  • →Overworking the drawing and losing the freshness of the lines.
  • →Failing to establish a clear light source.
  • →Ignoring the underlying structure of the face.
  • →Making the lines too uniform and lacking variation.

materials

surface · toned paper

required

  • ·red chalk
  • ·drawing paper
  • ·kneaded eraser
  • ·pencil
  • ·fixative spray
  • ·sharpener

optional

  • ·tortillon
  • ·sandpaper block

Use a paper with a slightly textured surface to allow the chalk to grip the paper. A toned paper can help establish the mid-tones and make the highlights pop.

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how to draw →how to learn by studying the masters →
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