
plate no. 8534
Mary Cassatt, 1876
Recreating this painting will help students develop skills in loose brushwork, color mixing for skin tones, and creating depth with a limited palette. It also encourages expressive mark-making rather than precise rendering.
technical profile
approach — 8 steps
Sketch the basic proportions of the head and shoulders lightly on the canvas.
Block in the dark background using a mix of browns and blacks, leaving space for the figure.
Establish the main areas of light and shadow on the face using a limited palette of skin tones.
Begin adding color variations to the face, such as reds in the cheeks and around the eyes.
Paint the clothing with loose, expressive brushstrokes, using a mix of whites, blues, and oranges.
Refine the details of the face, paying attention to the eyes, nose, and mouth.
Add final touches to the background and clothing, ensuring a cohesive and painterly feel.
Let dry and add a varnish layer.
color palette
primary · burnt umber · titanium white · cadmium red light
secondary · ultramarine blue · yellow ochre
Skin tones can be achieved by mixing white, red, and a touch of yellow ochre. Use burnt umber to create shadows and darker tones. Mix ultramarine blue with white to create the cooler tones in the clothing.
techniques
common pitfalls
surface · stretched canvas
required
optional
Use a medium-grit canvas for a textured effect. Consider using a limited palette to simplify the color mixing process.
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