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Head of a Man by John Simpson

plate no. 2550

Head of a Man

John Simpson, 1827

oilRomanticismsketch and studyfigureportraitmanheadclothinghalo
some experience helpful

Recreating this painting will help students develop skills in portraiture, particularly in rendering skin tones and creating a sense of depth through subtle value changes. It also provides practice in achieving soft, blended backgrounds.

technical profile

palette complexity
3
brushwork visibility
4
value contrast
4
compositional simplicity
4

study guide

est. 12 hrs

approach — 8 steps

  1. step 01

    Sketch the basic shapes and proportions of the head, shoulders, and halo.

  2. step 02

    Block in the background with a thin layer of muted green/grey.

  3. step 03

    Establish the darkest values in the hair and shadows of the face.

  4. step 04

    Begin layering in mid-tones and highlights on the skin, blending carefully.

  5. step 05

    Paint the red drapery, paying attention to the folds and shadows.

  6. step 06

    Refine the facial features, focusing on the eyes and mouth.

  7. step 07

    Adjust the values and edges to create a sense of depth and form.

  8. step 08

    Add final details and highlights to complete the painting.

color palette

primary · burnt umber · raw sienna · titanium white · cadmium red

secondary · ivory black · yellow ochre

Achieve skin tones by mixing burnt umber, raw sienna, and titanium white. Use small amounts of cadmium red for warmth. Muted greens for the background can be made by mixing ivory black, yellow ochre, and white.

techniques

  • ·blending
  • ·scumbling
  • ·layering
  • ·chiaroscuro
  • ·portraiture

common pitfalls

  • →Overworking the skin tones, resulting in a muddy appearance.
  • →Failing to establish a strong value structure.
  • →Ignoring the subtle color variations in the skin.
  • →Creating harsh edges instead of soft transitions.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·burnt umber oil paint
  • ·raw sienna oil paint
  • ·titanium white oil paint
  • ·cadmium red oil paint
  • ·round brushes (various sizes)
  • ·palette
  • ·linseed oil

optional

  • ·palette knife
  • ·medium (e.g., Liquin)
  • ·easel

Use a medium-sized canvas to allow for sufficient detail. Consider using a toned canvas to speed up the painting process.

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oil painting for beginners →how to learn by studying the masters →
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