
plate no. 2550
John Simpson, 1827
Recreating this painting will help students develop skills in portraiture, particularly in rendering skin tones and creating a sense of depth through subtle value changes. It also provides practice in achieving soft, blended backgrounds.
technical profile
approach — 8 steps
Sketch the basic shapes and proportions of the head, shoulders, and halo.
Block in the background with a thin layer of muted green/grey.
Establish the darkest values in the hair and shadows of the face.
Begin layering in mid-tones and highlights on the skin, blending carefully.
Paint the red drapery, paying attention to the folds and shadows.
Refine the facial features, focusing on the eyes and mouth.
Adjust the values and edges to create a sense of depth and form.
Add final details and highlights to complete the painting.
color palette
primary · burnt umber · raw sienna · titanium white · cadmium red
secondary · ivory black · yellow ochre
Achieve skin tones by mixing burnt umber, raw sienna, and titanium white. Use small amounts of cadmium red for warmth. Muted greens for the background can be made by mixing ivory black, yellow ochre, and white.
techniques
common pitfalls
surface · stretched canvas
required
optional
Use a medium-sized canvas to allow for sufficient detail. Consider using a toned canvas to speed up the painting process.
tips & new artworks in your inbox
no spam — unsubscribe anytime.
or to save artworks, chat, and track progress
in this vein

Romantic Landscape
Karl Lessing

Self-portrait with his brother Francesco
Giuseppe Tominz

Oenone Refuse de Secourir Pâris au Siège de Troie
Léon Cogniet

Duke of Alba
Francisco Goya

Blick Aus Dem Wald Ins Tal
Andreas Achenbach

Young Girl Fixing Her Hair
Sophie Gengembre Anderson

The Plough Inn
William Shayer

Hudson River Landscape
Johann Hermann Carmiencke