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home·artworks·Head of a horseman
Head of a horseman by Théodore Géricault

plate no. 5016

Head of a horseman

Théodore Géricault, 1812

oil, canvasRomanticismportraitportraitmanfur hatclothingfacehead
some experience helpful

Recreating this painting will help students develop skills in portraiture, including capturing likeness and rendering form with light and shadow. It also provides practice in creating texture with visible brushstrokes.

technical profile

palette complexity
3
brushwork visibility
4
value contrast
4
compositional simplicity
4

study guide

est. 12 hrs

approach — 8 steps

  1. step 01

    Lightly sketch the basic shapes and proportions of the head, hat, and shoulders.

  2. step 02

    Establish the darkest darks and lightest lights with thin washes of color.

  3. step 03

    Block in the mid-tones of the skin and clothing, paying attention to the overall color temperature.

  4. step 04

    Begin to refine the facial features, focusing on accurate placement and shape.

  5. step 05

    Add details to the hat and clothing, using thicker paint and more visible brushstrokes.

  6. step 06

    Refine the highlights and shadows to create a sense of depth and volume.

  7. step 07

    Add final details and adjust values as needed.

  8. step 08

    Let dry and apply a varnish for protection and color enhancement.

color palette

primary · burnt umber · raw sienna · titanium white

secondary · ivory black · yellow ochre

Mix skin tones by blending burnt umber, raw sienna, and titanium white. Use ivory black to darken shadows and yellow ochre to warm highlights.

techniques

  • ·chiaroscuro
  • ·dry brush texture
  • ·scumbling
  • ·alla prima
  • ·blending

common pitfalls

  • →Getting the proportions of the face wrong.
  • →Over-blending the skin tones, resulting in a flat appearance.
  • →Failing to create enough contrast between light and shadow.
  • →Getting the values wrong, making the painting look muddy.

materials

surface · stretched canvas

required

  • ·stretched canvas (12x16 inches)
  • ·oil paints (burnt umber, raw sienna, titanium white, ivory black, yellow ochre)
  • ·palette
  • ·assorted brushes (round and flat)
  • ·linseed oil
  • ·turpentine or odorless mineral spirits
  • ·palette knife

optional

  • ·painting medium (e.g., Liquin)
  • ·varnish

Use a medium-grit canvas for better texture. Consider using a limited palette to simplify the color mixing process.

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oil painting for beginners →how to learn by studying the masters →
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