
plate no. 5996
Recreating this painting will help students develop skills in portraiture, including accurate proportions, skin tone mixing, and subtle blending. It also provides practice in rendering details like hair and clothing.
technical profile
approach — 8 steps
Lightly sketch the basic shapes and proportions of the head, shoulders, and hair.
Establish the background with a thin, even layer of blended grays and blues.
Block in the main areas of skin tone using a mid-tone mixture.
Add highlights and shadows to the face, focusing on the planes of the face and the light source.
Paint the hair, paying attention to the direction of the curls and the highlights.
Define the clothing with dark values and subtle highlights.
Refine the details of the face, including the eyes, nose, and mouth.
Add final touches and adjust values as needed.
color palette
primary · titanium white · ivory black · burnt umber · cadmium red light
secondary · ultramarine blue · yellow ochre
Skin tones are achieved by mixing white, red, umber, and a touch of yellow ochre. The background is a blend of white, black, and blue. Hair is a mix of umber, black, and touches of red and yellow.
techniques
common pitfalls
surface · stretched canvas
required
optional
Use high-quality oil paints for best results. A medium-grain canvas will provide a good surface for blending.
tips & new artworks in your inbox
no spam — unsubscribe anytime.
or to save artworks, chat, and track progress
in this vein

Romantic Landscape
Karl Lessing

Self-portrait with his brother Francesco
Giuseppe Tominz

Oenone Refuse de Secourir Pâris au Siège de Troie
Léon Cogniet

Duke of Alba
Francisco Goya

Blick Aus Dem Wald Ins Tal
Andreas Achenbach

Young Girl Fixing Her Hair
Sophie Gengembre Anderson

The Plough Inn
William Shayer

Hudson River Landscape
Johann Hermann Carmiencke