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home·artworks·He is Risen - The First Easter
He is Risen - The First Easter by Arthur Hughes

plate no. 2578

He is Risen - The First Easter

Arthur Hughes, 1896

oilRomanticismreligious paintingfiguresangeltombflowerstreesnight
experienced study

Recreating this painting will help students develop skills in glazing, layering, and creating atmospheric perspective. Students will also learn to depict figures in dramatic lighting and convey emotion through pose and expression.

technical profile

palette complexity
4
brushwork visibility
3
value contrast
4
compositional simplicity
3

study guide

est. 20 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, focusing on the placement of the figures and the tomb.

  2. step 02

    Establish the dark background using a mix of blues and browns.

  3. step 03

    Block in the main shapes of the figures with dark undertones.

  4. step 04

    Begin layering in the warmer tones of the tomb and the surrounding foliage.

  5. step 05

    Carefully build up the highlights on the angel figure, using thin glazes of white and yellow.

  6. step 06

    Add details to the figures' faces and clothing, paying attention to the play of light and shadow.

  7. step 07

    Paint the small flowers and blossoms with delicate brushstrokes.

  8. step 08

    Refine the overall composition and add final touches to create a sense of depth and atmosphere.

color palette

primary · burnt umber · ultramarine blue · titanium white · yellow ochre

secondary · alizarin crimson · cadmium yellow light · ivory black

Achieve the warm, glowing tones by layering thin glazes of burnt umber, yellow ochre, and alizarin crimson. Mix white with small amounts of yellow and umber to create the ethereal glow of the angel.

techniques

  • ·glazing
  • ·layering
  • ·scumbling
  • ·dry brushing
  • ·chiaroscuro

common pitfalls

  • →Overworking the highlights on the angel, resulting in a chalky appearance.
  • →Failing to create a sense of depth and atmosphere.
  • →Getting the proportions of the figures wrong.
  • →Using colors that are too saturated, which can detract from the overall mood.

materials

surface · stretched canvas

required

  • ·stretched canvas 18x24
  • ·burnt umber oil paint
  • ·ultramarine blue oil paint
  • ·titanium white oil paint
  • ·yellow ochre oil paint
  • ·round brushes (sizes 2, 4, 6)
  • ·flat brushes (sizes 4, 8)
  • ·linseed oil

optional

  • ·palette knife
  • ·damar varnish
  • ·painting medium

Use high-quality oil paints for best results. Allow each layer to dry completely before applying the next.

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