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home·artworks·Haystacks (End of Summer)
Haystacks (End of Summer) by Claude Monet

plate no. 2185

Haystacks (End of Summer)

Claude Monet, 1891

oilImpressionismlandscapehaystacksfieldtreesskymountainsshadows
some experience helpful

Students will develop skills in color temperature relationships and atmospheric perspective while learning to capture changing light effects through broken color technique and visible brushwork.

technical profile

palette complexity
4
brushwork visibility
4
value contrast
3
compositional simplicity
4

study guide

est. 8 hrs

approach — 8 steps

  1. step 01

    Start with a light pencil sketch to place the two haystacks and horizon line

  2. step 02

    Block in the sky using horizontal strokes with blues, whites, and warm grays

  3. step 03

    Paint the distant mountains and trees with cooler, muted colors to show atmospheric perspective

  4. step 04

    Establish the main haystack forms using warm golden browns and ochres

  5. step 05

    Add the field areas with varied greens, yellows, and earth tones using broken color technique

  6. step 06

    Paint the cast shadows with cooler purples and blues, keeping edges soft

  7. step 07

    Build up texture on the haystacks with directional brushstrokes following their form

  8. step 08

    Add final highlights and color variations to capture the specific lighting conditions

color palette

primary · cadmium yellow light · ultramarine blue · burnt sienna · titanium white

secondary · yellow ochre · raw sienna · cerulean blue · viridian green

Mix warm golds by combining yellows with small amounts of burnt sienna; create atmospheric grays by mixing complementary colors rather than using black

techniques

  • ·broken color application
  • ·visible directional brushwork
  • ·atmospheric perspective
  • ·color temperature contrast
  • ·optical color mixing

common pitfalls

  • →overblending colors and losing vibrancy
  • →making shadows too dark or black
  • →ignoring color temperature changes
  • →painting details too early in the process

materials

surface · primed canvas or canvas board

required

  • ·#6 flat brush
  • ·#10 flat brush
  • ·#2 round brush
  • ·cadmium yellow light oil paint
  • ·ultramarine blue oil paint
  • ·burnt sienna oil paint
  • ·titanium white oil paint
  • ·canvas 16x20 inches

optional

  • ·palette knife for mixing
  • ·#4 filbert brush
  • ·medium gloss varnish
  • ·turpentine for cleaning

Use a limited palette to focus on color mixing and temperature relationships rather than relying on many tube colors

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related guides

oil painting for beginners →color theory for painters →paint like monet →how to learn by studying the masters →
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