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home·artworks·Haunted House
Haunted House by Thomas Moran

plate no. 6659

Haunted House

Thomas Moran, 1858

oilRomanticismlandscapebuildinglandscapeskycloudsfoliagefigure
experienced study

Recreating this painting will help students develop skills in atmospheric perspective, color mixing for realistic landscapes, and rendering complex textures with varied brushstrokes. It will also teach how to create a focal point using light and shadow.

technical profile

palette complexity
4
brushwork visibility
3
value contrast
4
compositional simplicity
3

study guide

est. 20 hrs

approach — 8 steps

  1. step 01

    Sketch the basic shapes of the building and landscape, paying attention to proportions.

  2. step 02

    Establish the horizon line and the overall composition.

  3. step 03

    Block in the sky with broad strokes, capturing the light and dark areas.

  4. step 04

    Lay in the base colors for the building, foliage, and ground, focusing on the overall tonal values.

  5. step 05

    Begin adding details to the building, such as windows, architectural features, and textures.

  6. step 06

    Develop the foliage with layers of color and texture, creating depth and dimension.

  7. step 07

    Refine the sky and clouds, adding highlights and shadows to create a sense of atmosphere.

  8. step 08

    Add final details, such as the figure and any small elements that enhance the composition.

color palette

primary · burnt umber · yellow ochre · ultramarine blue

secondary · titanium white · cadmium yellow · alizarin crimson

Achieve the muted tones by mixing complementary colors and using white to adjust values. Use thin glazes of color to create depth and luminosity.

techniques

  • ·glazing
  • ·scumbling
  • ·dry brushing
  • ·atmospheric perspective
  • ·chiaroscuro

common pitfalls

  • →Overworking the details too early in the process.
  • →Failing to establish a strong value structure.
  • →Using colors that are too saturated.
  • →Ignoring the principles of atmospheric perspective.

materials

surface · stretched canvas

required

  • ·stretched canvas 18x24
  • ·oil paints (burnt umber, yellow ochre, ultramarine blue, titanium white, cadmium yellow, alizarin crimson)
  • ·linseed oil
  • ·turpentine or odorless mineral spirits
  • ·assorted brushes (round, flat, filbert)
  • ·palette
  • ·palette knife
  • ·rags or paper towels

optional

  • ·medium gloss
  • ·retouch varnish
  • ·easel

Use a medium-tooth canvas for better texture. Consider using a toned canvas to speed up the painting process.

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oil painting for beginners →how to learn by studying the masters →
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