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home·artworks·Hat with a Red Ribbon
Hat with a Red Ribbon by Georges Lemmen

plate no. 7318

Hat with a Red Ribbon

Georges Lemmen

oilImpressionismportraitportraitwomanhatreddressfigure
some experience helpful

Recreating this painting will help students develop skills in portraiture, color mixing, and capturing light and shadow with visible brushstrokes. It's a good exercise in creating form with broken color and loose brushwork.

technical profile

palette complexity
4
brushwork visibility
4
value contrast
3
compositional simplicity
4

study guide

est. 12 hrs

approach — 8 steps

  1. step 01

    Sketch the basic shapes and proportions of the figure, hat, and background.

  2. step 02

    Establish the main areas of light and shadow with a thin wash of color.

  3. step 03

    Begin building up the skin tones with layers of broken color, focusing on the subtle variations in hue and value.

  4. step 04

    Paint the hat, paying attention to the texture and form of the ribbon and brim.

  5. step 05

    Develop the dress with loose, expressive brushstrokes, capturing the folds and highlights.

  6. step 06

    Refine the background with a variety of warm and cool tones, creating depth and atmosphere.

  7. step 07

    Add details to the face, such as the eyes, nose, and mouth, using small, precise brushstrokes.

  8. step 08

    Make final adjustments to the overall composition, ensuring that the colors and values are balanced.

color palette

primary · titanium white · burnt umber · cadmium red · yellow ochre

secondary · ultramarine blue · alizarin crimson · raw sienna

Achieve skin tones by mixing white, yellow ochre, and a touch of red and umber. Use ultramarine blue and burnt umber to create darker shadows. Mix red with a touch of alizarin crimson for the hat.

techniques

  • ·broken color
  • ·dry brush
  • ·scumbling
  • ·layering
  • ·alla prima

common pitfalls

  • →Overblending the colors, resulting in a muddy appearance.
  • →Focusing too much on detail and losing the overall impressionistic effect.
  • →Not paying enough attention to the subtle variations in skin tone.
  • →Getting the proportions wrong in the initial sketch.

materials

surface · stretched canvas

required

  • ·stretched canvas 16x20
  • ·titanium white oil paint
  • ·burnt umber oil paint
  • ·cadmium red oil paint
  • ·yellow ochre oil paint
  • ·ultramarine blue oil paint
  • ·#4 round brush
  • ·#6 filbert brush

optional

  • ·palette knife
  • ·linseed oil
  • ·turpentine

Use a medium-tooth canvas to allow for good paint adhesion and texture. Consider using a limited palette to simplify the color mixing process.

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related guides

oil painting for beginners →color theory for painters →how to learn by studying the masters →
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