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home·artworks·Harvesters Resting
Harvesters Resting by William Shayer

plate no. 5310

Harvesters Resting

William Shayer

oil, canvasRomanticismgenre paintingfigureslandscapehorseharvestskyfields
some experience helpful

Recreating this painting will help students develop skills in blending colors to create atmospheric perspective and rendering realistic figures in a landscape setting. Students will also learn to depict textures like hay and foliage using layering and brushwork.

technical profile

palette complexity
4
brushwork visibility
3
value contrast
4
compositional simplicity
3

study guide

est. 15 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, focusing on the placement of figures and landscape elements.

  2. step 02

    Block in the sky with light blues and pinks, blending softly to create a sense of atmosphere.

  3. step 03

    Establish the basic values of the landscape, using darker tones for the foreground and lighter tones for the background.

  4. step 04

    Begin adding details to the figures, starting with the larger forms and gradually adding smaller details.

  5. step 05

    Paint the horse, paying attention to its anatomy and the play of light and shadow on its body.

  6. step 06

    Add the haystacks and other details in the field, using a variety of brushstrokes to create texture.

  7. step 07

    Refine the details of the figures and landscape, paying attention to the overall harmony of the painting.

  8. step 08

    Add final highlights and shadows to create depth and dimension.

color palette

primary · ultramarine blue · yellow ochre · burnt umber · titanium white

secondary · cadmium red · sap green

Mix various shades of brown and green for the landscape. Use white to lighten colors for the sky and highlights. Mix red and yellow for the warm tones in the hay.

techniques

  • ·glazing
  • ·scumbling
  • ·dry brushing
  • ·atmospheric perspective
  • ·figure drawing

common pitfalls

  • →Overworking the details too early in the process.
  • →Failing to establish a strong value structure.
  • →Using colors that are too saturated.
  • →Ignoring the principles of atmospheric perspective.

materials

surface · stretched canvas

required

  • ·stretched canvas 18x24
  • ·oil paints (ultramarine blue, yellow ochre, burnt umber, titanium white, cadmium red, sap green)
  • ·linseed oil
  • ·turpentine or odorless mineral spirits
  • ·assorted brushes (round and flat)
  • ·palette
  • ·palette knife
  • ·rags

optional

  • ·medium gloss
  • ·easel

Use high-quality oil paints for best results. Consider using a pre-primed canvas to save time.

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