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home·artworks·Harlem Valley, Winter
Harlem Valley, Winter by Ernest Lawson

plate no. 2273

Harlem Valley, Winter

Ernest Lawson, 1921

oil, canvas, panelImpressionismlandscapelandscapewintertreessnowbuildingshills
some experience helpful

Recreating this painting will help students develop skills in layering colors to create depth and texture, as well as capturing the subtle nuances of a winter landscape. It also provides practice in rendering bare trees and distant architectural elements.

technical profile

palette complexity
4
brushwork visibility
4
value contrast
3
compositional simplicity
3

study guide

est. 12 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, including the horizon line, hills, and placement of major elements like trees and buildings.

  2. step 02

    Establish the sky with a thin wash of light gray and blue.

  3. step 03

    Block in the distant hills with muted blues, greens, and grays, focusing on creating a sense of depth.

  4. step 04

    Apply the base color for the snow-covered ground using a mix of white, yellow, and blue.

  5. step 05

    Add layers of color to the snow, using short, broken brushstrokes to create texture and variation.

  6. step 06

    Paint the tree trunks and branches with thin lines of dark brown and gray.

  7. step 07

    Add details to the buildings, keeping them simple and slightly blurred to maintain the atmospheric perspective.

  8. step 08

    Refine the foreground details, adding highlights and shadows to the rocks and snow.

color palette

primary · titanium white · ultramarine blue · yellow ochre · raw umber

secondary · viridian green · burnt sienna · cadmium yellow light

Achieve the snowy whites by mixing white with small amounts of yellow ochre, blue, and raw umber. Create the muted greens and blues for the hills by blending blue, yellow, and umber.

techniques

  • ·broken color
  • ·dry brushing
  • ·layering
  • ·atmospheric perspective
  • ·scumbling

common pitfalls

  • →Overworking the details, which can flatten the image.
  • →Using pure white for the snow, which can make it look unnatural.
  • →Ignoring the subtle color variations in the snow and hills.
  • →Making the tree branches too uniform and symmetrical.

materials

surface · stretched canvas

required

  • ·stretched canvas (16x20 inches)
  • ·titanium white oil paint
  • ·ultramarine blue oil paint
  • ·yellow ochre oil paint
  • ·raw umber oil paint
  • ·#4 round brush
  • ·#6 flat brush
  • ·linseed oil

optional

  • ·palette knife
  • ·medium gloss
  • ·easel

Use a medium-tooth canvas to allow for better paint adhesion and texture. Consider using a limited palette to simplify color mixing.

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related guides

oil painting for beginners →color theory for painters →how to learn by studying the masters →
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