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home·artworks·Harlem River
Harlem River by Ernest Lawson

plate no. 0077

Harlem River

Ernest Lawson, 1913

oil, canvasImpressionismlandscapebridgerivertreesbuildingsreflectionlandscape
some experience helpful

Recreating this painting will help students develop skills in layering colors and creating texture with visible brushstrokes. It also provides practice in capturing reflections in water and depicting atmospheric perspective.

technical profile

palette complexity
4
brushwork visibility
5
value contrast
3
compositional simplicity
3

study guide

est. 12 hrs

approach — 8 steps

  1. step 01

    Sketch the basic shapes of the bridge, riverbank, and trees, paying attention to proportions and perspective.

  2. step 02

    Block in the large areas of color, starting with the sky and water, using thin washes.

  3. step 03

    Build up layers of color on the bridge and riverbank, using thicker paint and visible brushstrokes.

  4. step 04

    Create the reflections in the water by mirroring the colors and shapes of the objects above.

  5. step 05

    Add details to the trees and buildings, using smaller brushes and finer strokes.

  6. step 06

    Refine the overall composition by adjusting the values and colors as needed.

  7. step 07

    Add highlights and shadows to create depth and dimension.

  8. step 08

    Let it dry and add a varnish for protection.

color palette

primary · ultramarine blue · titanium white · yellow ochre

secondary · burnt sienna · sap green · cadmium red

Mix blues and whites for the sky and water, adding touches of yellow ochre and green for variation. Use burnt sienna and cadmium red for the warmer tones in the riverbank and buildings. Mix ultramarine blue and burnt sienna to create the darker tones in the bridge.

techniques

  • ·broken color
  • ·impasto
  • ·scumbling
  • ·wet-on-wet blending
  • ·layering

common pitfalls

  • →Overblending the colors, resulting in a muddy appearance.
  • →Ignoring the importance of value contrast, leading to a flat image.
  • →Getting lost in the details and losing sight of the overall composition.
  • →Not allowing enough drying time between layers.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·oil paints
  • ·palette
  • ·palette knife
  • ·assorted brushes
  • ·linseed oil
  • ·turpentine
  • ·rags

optional

  • ·painting medium
  • ·easel
  • ·varnish

Use a medium-grain canvas for best results. Consider using a limited palette of colors to simplify the mixing process.

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related guides

oil painting for beginners →color theory for painters →how to learn by studying the masters →
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