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home·artworks·Harem Girl
Harem Girl by Francesc Masriera

plate no. 1707

Harem Girl

Francesc Masriera, 1890

oilArt Nouveau (Modern)portraitfigureportraitfabriccushionsjewelrytable
experienced study

Recreating this painting will help students develop skills in rendering realistic skin tones and capturing the texture and drapery of fabric. It also provides practice in creating a sense of depth and atmosphere through subtle value changes.

technical profile

palette complexity
4
brushwork visibility
4
value contrast
4
compositional simplicity
3

study guide

est. 30 hrs

approach — 8 steps

  1. step 01

    Create a preliminary sketch to establish the composition and proportions of the figure and objects.

  2. step 02

    Block in the main shapes and areas of color using thin washes of paint.

  3. step 03

    Begin to build up the skin tones using layers of glazes and subtle color variations.

  4. step 04

    Develop the drapery of the fabric, paying attention to the way light and shadow define its form.

  5. step 05

    Add details to the jewelry, table, and other objects, using small brushes and precise strokes.

  6. step 06

    Refine the overall composition and adjust the values to create a sense of depth and atmosphere.

  7. step 07

    Add final highlights and details to bring the painting to life.

  8. step 08

    Varnish the painting to protect it and enhance its colors.

color palette

primary · yellow ochre · burnt umber · titanium white · cadmium red

secondary · ivory black · ultramarine blue · raw sienna

Achieve the skin tones by mixing yellow ochre, burnt umber, and titanium white, with small amounts of cadmium red for warmth. Create the fabric colors by mixing burnt umber, yellow ochre, and small amounts of ivory black.

techniques

  • ·glazing
  • ·scumbling
  • ·chiaroscuro
  • ·dry brushing
  • ·layering

common pitfalls

  • →Overworking the skin tones and creating a muddy effect.
  • →Failing to capture the subtle variations in color and value.
  • →Losing the sense of depth and atmosphere.
  • →Getting lost in the details and neglecting the overall composition.

materials

surface · stretched canvas

required

  • ·Stretched canvas (18x24 inches)
  • ·Oil paints (yellow ochre, burnt umber, titanium white, cadmium red, ivory black, ultramarine blue, raw sienna)
  • ·Linseed oil
  • ·Turpentine or odorless mineral spirits
  • ·Assorted brushes (round, flat, filbert)
  • ·Palette
  • ·Palette knife
  • ·Rags or paper towels

optional

  • ·medium gloss
  • ·retouch varnish
  • ·easel

Use high-quality oil paints for best results. Consider using a toned canvas to create a more unified color palette.

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