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home·artworks·Happy Morning
Happy Morning by Fujishima Takeji

plate no. 6403

Happy Morning

Fujishima Takeji

oilImpressionismgenre paintingfigureflowerswindowstill lifeinteriorlight
some experience helpful

Recreating this painting will help students develop skills in capturing subtle light effects and creating form with broken color. It also provides practice in depicting a figure in a domestic setting.

technical profile

palette complexity
4
brushwork visibility
4
value contrast
3
compositional simplicity
3

study guide

est. 12 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, focusing on the placement of the figure, window, and still life elements.

  2. step 02

    Establish the overall value structure with a thin wash of burnt umber or a similar earth tone.

  3. step 03

    Block in the main color areas: the skin tones, the colors of the flowers, the window frame, and the background.

  4. step 04

    Begin layering colors, using short, broken brushstrokes to create texture and visual interest.

  5. step 05

    Pay close attention to the light and shadow patterns, adjusting the values and colors accordingly.

  6. step 06

    Refine the details of the figure, flowers, and other elements, but avoid overworking any one area.

  7. step 07

    Add highlights and accents to create a sense of depth and dimension.

  8. step 08

    Step back and assess the overall effect, making any necessary adjustments to the composition, color, or value.

color palette

primary · yellow ochre · burnt sienna · ultramarine blue

secondary · cadmium orange · viridian · titanium white

Mix various shades of skin tones by combining yellow ochre, burnt sienna, and white. Achieve the flower colors by mixing cadmium orange with touches of red and brown. Create the blue vase by mixing ultramarine blue with white and a touch of black.

techniques

  • ·broken color
  • ·scumbling
  • ·layering
  • ·alla prima
  • ·color temperature

common pitfalls

  • →Overblending the colors, resulting in a flat, lifeless effect.
  • →Failing to capture the subtle light and shadow patterns.
  • →Getting bogged down in details too early in the process.
  • →Ignoring the overall color harmony of the painting.

materials

surface · stretched canvas

required

  • ·stretched canvas 16x20
  • ·oil paints (yellow ochre, burnt sienna, ultramarine blue, cadmium orange, viridian, titanium white, black)
  • ·palette
  • ·palette knife
  • ·#4 round brush
  • ·#6 flat brush
  • ·linseed oil
  • ·odorless mineral spirits

optional

  • ·medium gloss
  • ·easel
  • ·rags

Use a medium-tooth canvas to allow for good paint adhesion and texture. Consider using a limited palette to simplify the color mixing process.

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related guides

oil painting for beginners →color theory for painters →how to learn by studying the masters →
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