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home·artworks·Hanging Holly, by J. C. Leyendecker. Saturday Evening Post Cover, December 21, 1918
Hanging Holly, by J. C. Leyendecker. Saturday Evening Post Cover, December 21, 1918 by J. C. Leyendecker

plate no. 6467

Hanging Holly, by J. C. Leyendecker. Saturday Evening Post Cover, December 21, 1918

J. C. Leyendecker, 1918

oilArt Nouveau (Modern)illustrationfigureportraithollycandlesmirrordress
some experience helpful

Recreating this painting will help students develop skills in portraiture, figure drawing, and rendering fabrics with subtle color variations. It also provides practice in creating realistic textures for elements like holly leaves and candles.

technical profile

palette complexity
3
brushwork visibility
3
value contrast
3
compositional simplicity
4

study guide

est. 20 hrs

approach — 8 steps

  1. step 01

    Lightly sketch the main shapes: the figure, the mirror, and the garland.

  2. step 02

    Block in the basic colors of the background and the figure's dress with thin washes.

  3. step 03

    Establish the light and shadow on the figure, paying attention to the subtle gradations of color in the dress.

  4. step 04

    Paint the portrait in the mirror, focusing on accurate proportions and skin tones.

  5. step 05

    Add details to the garland, including the leaves and berries, using varying shades of green and red.

  6. step 06

    Refine the details of the candles and candelabras, adding highlights and shadows.

  7. step 07

    Add the lettering and other graphic elements of the magazine cover.

  8. step 08

    Make final adjustments to the colors and values to achieve a cohesive and balanced composition.

color palette

primary · titanium white · ivory black · cadmium red light · yellow ochre

secondary · viridian · burnt umber · alizarin crimson · cerulean blue

Mix various shades of pink and peach for the dress by combining white, red, and a touch of yellow ochre. Achieve the green for the holly by mixing viridian with yellow ochre and a touch of burnt umber for darker shades.

techniques

  • ·glazing
  • ·scumbling
  • ·dry brushing
  • ·color mixing
  • ·portraiture

common pitfalls

  • →Overworking the details too early in the process.
  • →Failing to establish a clear value structure.
  • →Using colors that are too saturated, resulting in an unnatural look.
  • →Inaccurate proportions in the figure or portrait.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·acrylic or oil paints
  • ·round brushes (sizes 2, 4, 6)
  • ·flat brushes (sizes 4, 8)
  • ·palette
  • ·palette knife
  • ·linseed oil or acrylic medium
  • ·mineral spirits or water (depending on paint type)

optional

  • ·retarder medium
  • ·varnish
  • ·easel

Use a smooth canvas for best results. Consider using a toned canvas to speed up the painting process.

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oil painting for beginners →how to learn by studying the masters →
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