
plate no. 7871
Henry Scott Tuke, 1909
Recreating this painting will help students develop skills in color mixing for skin tones and foliage, as well as practice creating form with visible brushstrokes.
technical profile
approach — 8 steps
Sketch the basic shapes of the figure and the surrounding trees, focusing on proportions and placement.
Establish the background by blocking in the overall color masses of the foliage and tree trunks.
Begin layering in the skin tones, starting with mid-tones and gradually adding highlights and shadows.
Use broken brushstrokes to create the texture of the foliage, varying the colors and values to suggest depth.
Refine the details of the figure, paying attention to the subtle shifts in color and value.
Add highlights to the foliage and figure to create a sense of light and atmosphere.
Review the painting and make any necessary adjustments to the composition, color, or value.
Allow the painting to dry completely before varnishing.
color palette
primary · yellow ochre · burnt umber · titanium white · sap green
secondary · ultramarine blue · cadmium yellow · alizarin crimson
Achieve skin tones by mixing yellow ochre, burnt umber, and titanium white, adding small amounts of alizarin crimson for warmth. Mix greens by combining sap green, cadmium yellow, and ultramarine blue.
techniques
common pitfalls
surface · stretched canvas
required
optional
Use a medium-textured canvas to allow for better paint adhesion and texture. Consider using a limited palette to simplify the color mixing process.
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