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home·artworks·Hackney Church
Hackney Church by John Varley

plate no. 3465

Hackney Church

John Varley

oilRomanticismcityscapechurchtreesskybuildingsgraveyardpath
some experience helpful

Recreating this painting will help students develop skills in atmospheric perspective and rendering foliage with varied brushstrokes. It also provides practice in creating a sense of depth through layering and tonal variations.

technical profile

palette complexity
3
brushwork visibility
3
value contrast
3
compositional simplicity
3

study guide

est. 10 hrs

approach — 8 steps

  1. step 01

    Lightly sketch the main shapes: church tower, buildings, trees, and path.

  2. step 02

    Establish the horizon line and the basic perspective of the path.

  3. step 03

    Block in the sky with light blue and white, blending softly.

  4. step 04

    Apply a base layer of color for the church tower and buildings, focusing on the overall tone.

  5. step 05

    Begin adding details to the trees, using varied greens and browns to create texture.

  6. step 06

    Work on the path, using browns and grays to create depth and shadow.

  7. step 07

    Add details to the graveyard and surrounding elements, paying attention to perspective.

  8. step 08

    Refine the details and add highlights to create a sense of light and atmosphere.

color palette

primary · cerulean blue · raw umber · yellow ochre · sap green

secondary · burnt sienna · titanium white · payne's gray

Mix various shades of green by combining yellow ochre, sap green, and raw umber. Create atmospheric perspective by adding white to colors as they recede into the distance.

techniques

  • ·atmospheric perspective
  • ·broken color
  • ·dry brushing
  • ·layering
  • ·scumbling

common pitfalls

  • →Overworking the details, losing the overall atmospheric effect.
  • →Creating too much contrast, making the painting appear harsh.
  • →Ignoring perspective, resulting in a flat or distorted composition.
  • →Using too much green, creating an unnatural appearance for the foliage.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·acrylic or oil paints
  • ·round brushes (sizes 2, 6, 8)
  • ·flat brush (size 10)
  • ·palette
  • ·linseed oil (if using oil paints)
  • ·mineral spirits (for cleaning brushes)
  • ·soft cloth

optional

  • ·palette knife
  • ·easel
  • ·medium gloss

Use a medium-grain canvas for best results. Consider using a toned canvas to speed up the painting process.

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oil painting for beginners →how to learn by studying the masters →
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