apprentice
artistsserieslearnchatartworkscommunity gallery
apprentice

deliberate practice for serious artists

aboutgalleryprivacyterms
built by reducibl.com
home·artworks·Hacienda Aurora
Hacienda Aurora by Francisco Oller

plate no. 8748

Hacienda Aurora

Francisco Oller, 1899

oilImpressionismlandscapelandscapebuildingsskycloudsmountainsvegetation
some experience helpful

Recreating this painting will help students develop skills in atmospheric perspective and layering techniques to create depth. It will also improve their ability to mix subtle color variations for natural elements like grass and sky.

technical profile

palette complexity
3
brushwork visibility
4
value contrast
3
compositional simplicity
3

study guide

est. 12 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, focusing on the horizon line and placement of major elements like buildings and mountains.

  2. step 02

    Block in the sky with light blue, gradually adding white for clouds and darker blues near the horizon.

  3. step 03

    Establish the mountain range using muted blues and grays, paying attention to value changes to create depth.

  4. step 04

    Paint the buildings and structures, focusing on their basic shapes and colors, and adding details later.

  5. step 05

    Block in the foreground with greens and browns, creating a base for the vegetation.

  6. step 06

    Add details to the vegetation using various shades of green and brown, and varying brushstrokes to create texture.

  7. step 07

    Paint the road and figures, keeping them simple and proportionate to the overall scene.

  8. step 08

    Add final details and highlights to the entire painting, adjusting values and colors as needed.

color palette

primary · cerulean blue · titanium white · yellow ochre · burnt umber

secondary · cadmium yellow · alizarin crimson · viridian green

Achieve the sky's subtle gradations by mixing cerulean blue and white, adding a touch of yellow ochre near the horizon. Muted greens for the vegetation can be created by mixing viridian green, yellow ochre, and burnt umber.

techniques

  • ·atmospheric perspective
  • ·layering
  • ·dry brushing
  • ·broken color
  • ·scumbling

common pitfalls

  • →Overworking the details in the foreground, losing the sense of depth.
  • →Making the sky too uniform, neglecting subtle color variations.
  • →Using colors that are too saturated, creating an unnatural look.
  • →Ignoring the importance of value contrast in creating form.

materials

surface · stretched canvas

required

  • ·stretched canvas 18x24
  • ·acrylic or oil paints
  • ·round brushes (sizes 2, 4, 6)
  • ·flat brushes (sizes 4, 8)
  • ·palette
  • ·palette knife
  • ·linseed oil or acrylic medium
  • ·odorless mineral spirits or water

optional

  • ·easel
  • ·painting varnish
  • ·retarder medium

Using a toned canvas (e.g., with a thin wash of burnt umber) can help establish the overall color harmony.

tips & new artworks in your inbox

no spam — unsubscribe anytime.

or to save artworks, chat, and track progress

related guides

oil painting for beginners →color theory for painters →how to learn by studying the masters →
chat about this artwork

in this vein

related artworks

View of the Bosphorus and Rumeli Hisarı

View of the Bosphorus and Rumeli Hisarı

Sevket Dag

Paysage du Midi

Paysage du Midi

Armand Guillaumin

Self-Portrait

Self-Portrait

Frederic Bazille

Tip of the Bay

Tip of the Bay

Max Kurzweil

Long Stemmed Lovelies

Long Stemmed Lovelies

Pino Daeni

At Rosetta, Lower Egypt

At Rosetta, Lower Egypt

John Varley II

House from Oltenia

House from Oltenia

Theodor Pallady

Jewish quarter in Amsterdam

Jewish quarter in Amsterdam

Max Liebermann