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home·artworks·Gustav Struve
Gustav Struve by Currier and Ives

plate no. 2056

Gustav Struve

Currier and Ives, 1848

oilRomanticismportraitportraitfigurebookscurtaincityscapeinterior
some experience helpful

Recreating this painting will help students develop skills in portraiture, including capturing likeness and rendering realistic skin tones, as well as understanding how to create depth and dimension through value and color.

technical profile

palette complexity
3
brushwork visibility
2
value contrast
4
compositional simplicity
3

study guide

est. 20 hrs

approach — 8 steps

  1. step 01

    Begin with a light sketch outlining the main shapes: the figure, the background elements (curtain, cityscape, books), and the table.

  2. step 02

    Establish the overall value structure by blocking in the darkest and lightest areas with thin washes of color.

  3. step 03

    Focus on the face, carefully mixing skin tones and paying attention to the subtle shifts in value to create form.

  4. step 04

    Develop the details of the clothing, using darker values to create shadows and lighter values to suggest highlights.

  5. step 05

    Work on the background elements, starting with the curtain and then moving on to the cityscape and books.

  6. step 06

    Refine the details of the face, adding highlights to the eyes and lips, and defining the features with subtle shadows.

  7. step 07

    Add the final details, such as the quill pen, the books on the table, and the highlights on the clothing.

  8. step 08

    Make any necessary adjustments to the overall composition to ensure that the painting is balanced and harmonious.

color palette

primary · black · white · red · yellow ochre

secondary · ultramarine blue · burnt umber · raw sienna

Mix various shades of black using ultramarine blue and burnt umber. Create skin tones by mixing white, yellow ochre, and a touch of red. Use raw sienna and burnt umber for the books.

techniques

  • ·portraiture
  • ·value studies
  • ·color mixing
  • ·glazing
  • ·rendering textures

common pitfalls

  • →Getting the proportions of the face wrong.
  • →Overworking the details too early in the process.
  • →Failing to create a sense of depth and dimension.
  • →Using colors that are too saturated or too dull.

materials

surface · stretched canvas

required

  • ·stretched canvas (16x20 inches)
  • ·acrylic or oil paints
  • ·round brushes (sizes 2, 4, 6)
  • ·flat brushes (sizes 4, 8)
  • ·palette
  • ·palette knife
  • ·linseed oil or acrylic medium
  • ·mineral spirits or water for cleaning

optional

  • ·easel
  • ·varnish
  • ·retouch varnish

Use good quality paints for best results. Pre-toned canvas can help establish mid-tones faster.

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oil painting for beginners →how to learn by studying the masters →
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