apprentice
artistsserieslearnchatartworkscommunity gallery
apprentice

deliberate practice for serious artists

aboutgalleryprivacyterms
built by reducibl.com
home·artworks·Guard Corps in Orient
Guard Corps in Orient by Alexandre-Gabriel Decamps

plate no. 8596

Guard Corps in Orient

Alexandre-Gabriel Decamps

oil, canvasRomanticismgenre paintingfiguresinteriorarchitectureclothingmusical instrumentcityscape
experienced study

Recreating this painting will help students develop skills in rendering figures in complex poses and understanding atmospheric perspective to create depth. It also provides practice in mixing subtle color variations to capture the nuances of light and shadow.

technical profile

palette complexity
4
brushwork visibility
4
value contrast
4
compositional simplicity
2

study guide

est. 25 hrs

approach — 8 steps

  1. step 01

    Lightly sketch the main figures and architectural elements, focusing on proportions and placement.

  2. step 02

    Establish the overall value structure by blocking in the dark and light areas with thin washes of color.

  3. step 03

    Begin refining the figures, paying attention to the folds of clothing and the details of their faces.

  4. step 04

    Develop the background architecture, using lighter values and softer edges to create a sense of distance.

  5. step 05

    Add details to the foreground, such as the musical instrument and other objects.

  6. step 06

    Refine the lighting and shadows throughout the painting, using glazes and scumbles to create depth and atmosphere.

  7. step 07

    Add final details and highlights to bring the painting to life.

  8. step 08

    Let the painting dry and add a varnish layer.

color palette

primary · raw umber · ivory black · titanium white · burnt sienna

secondary · cadmium red · yellow ochre · ultramarine blue · viridian

Mix various shades of brown and gray by combining raw umber, ivory black, and titanium white. Use small amounts of cadmium red and yellow ochre to warm up the browns, and ultramarine blue to cool them down. Create the off-white clothing by mixing titanium white with a touch of raw umber and yellow ochre.

techniques

  • ·underpainting
  • ·glazing
  • ·scumbling
  • ·chiaroscuro
  • ·atmospheric perspective

common pitfalls

  • →Overworking the details too early in the process.
  • →Failing to establish a strong value structure.
  • →Using colors that are too saturated or bright.
  • →Ignoring the effects of atmospheric perspective.

materials

surface · stretched canvas

required

  • ·stretched canvas 18x24
  • ·raw umber oil paint
  • ·ivory black oil paint
  • ·titanium white oil paint
  • ·burnt sienna oil paint
  • ·linseed oil
  • ·turpentine
  • ·assorted brushes (round and flat)

optional

  • ·palette knife
  • ·medium gloss
  • ·painting easel

Use a high-quality canvas primed with gesso. Consider using a limited palette of colors to simplify the mixing process.

tips & new artworks in your inbox

no spam — unsubscribe anytime.

or to save artworks, chat, and track progress

related guides

oil painting for beginners →how to learn by studying the masters →
chat about this artwork

in this vein

related artworks

Romantic Landscape

Romantic Landscape

Karl Lessing

Self-portrait with his brother Francesco

Self-portrait with his brother Francesco

Giuseppe Tominz

Oenone Refuse de Secourir Pâris au Siège de Troie

Oenone Refuse de Secourir Pâris au Siège de Troie

Léon Cogniet

Duke of Alba

Duke of Alba

Francisco Goya

Blick Aus Dem Wald Ins Tal

Blick Aus Dem Wald Ins Tal

Andreas Achenbach

Young Girl Fixing Her Hair

Young Girl Fixing Her Hair

Sophie Gengembre Anderson

The Plough Inn

The Plough Inn

William Shayer

Hudson River Landscape

Hudson River Landscape

Johann Hermann Carmiencke