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home·artworks·Group of houses in Olevano
Group of houses in Olevano by Heinrich Reinhold

plate no. 1806

Group of houses in Olevano

Heinrich Reinhold, 1821

oilRomanticismsketch and studybuildingsarchitectureskycloudslandscapehillside
some experience helpful

Recreating this painting will help students develop skills in atmospheric perspective and rendering architectural forms with light and shadow. It also provides practice in creating a sense of depth and distance using color and value.

technical profile

palette complexity
3
brushwork visibility
3
value contrast
4
compositional simplicity
3

study guide

est. 8 hrs

approach — 8 steps

  1. step 01

    Lightly sketch the main shapes of the buildings and the horizon line.

  2. step 02

    Block in the sky with a light blue, leaving space for the clouds.

  3. step 03

    Establish the basic values of the buildings, using a mix of browns and yellows.

  4. step 04

    Add darker values to create shadows and define the forms of the buildings.

  5. step 05

    Paint the foliage with dark greens and browns, suggesting texture with broken brushstrokes.

  6. step 06

    Refine the details of the buildings, adding windows, arches, and other architectural elements.

  7. step 07

    Add highlights to the buildings and foliage to create a sense of light and atmosphere.

  8. step 08

    Adjust the overall values and colors to create a harmonious composition.

color palette

primary · ultramarine blue · raw umber · yellow ochre

secondary · burnt sienna · titanium white · sap green

Mix ultramarine blue with white for the sky, and add a touch of raw umber for the darker areas. Create the building colors by mixing raw umber, yellow ochre, and white in varying proportions. Use burnt sienna for the roof tiles and add sap green to raw umber for the foliage.

techniques

  • ·atmospheric perspective
  • ·value studies
  • ·broken color
  • ·scumbling
  • ·glazing

common pitfalls

  • →Overworking the details
  • →Creating too much contrast
  • →Ignoring the atmospheric perspective
  • →Using colors that are too saturated

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·raw umber oil paint
  • ·yellow ochre oil paint
  • ·ultramarine blue oil paint
  • ·burnt sienna oil paint
  • ·titanium white oil paint
  • ·round brushes (sizes 2, 4, 6)
  • ·linseed oil

optional

  • ·palette knife
  • ·medium (e.g., Liquin)
  • ·easel

Use a medium-tooth canvas for best results. Consider toning the canvas with a thin wash of raw umber before starting.

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oil painting for beginners →how to learn by studying the masters →
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