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home·artworks·Grim Resisters
Grim Resisters by George Harvey

plate no. 3986

Grim Resisters

George Harvey, 1830

oilRomanticismsketch and studyfiguresportraitsmenclothinghatsfaces
some experience helpful

Recreating this painting will help students develop skills in portraiture, particularly in capturing likeness and rendering skin tones with subtle variations. It also provides practice in creating a sense of depth and form using limited color palette and loose brushwork.

technical profile

palette complexity
3
brushwork visibility
3
value contrast
3
compositional simplicity
4

study guide

est. 8 hrs

approach — 8 steps

  1. step 01

    Lightly sketch the basic shapes and proportions of the figures and their clothing.

  2. step 02

    Establish the main areas of light and shadow on the faces and clothing.

  3. step 03

    Begin layering in the skin tones, starting with mid-tones and gradually adding highlights and shadows.

  4. step 04

    Define the features of the faces, paying attention to the subtle details of the eyes, nose, and mouth.

  5. step 05

    Paint the clothing, using loose brushstrokes to suggest the texture and form of the fabric.

  6. step 06

    Add the hat, focusing on its shape and the way it interacts with the light.

  7. step 07

    Refine the details and adjust the values to create a sense of depth and realism.

  8. step 08

    Add final touches and highlights to bring the painting to life.

color palette

primary · raw umber · burnt sienna · titanium white

secondary · ivory black · cadmium red light

Mix skin tones by blending raw umber, burnt sienna, and titanium white. Use small amounts of ivory black to create shadows and depth. Add cadmium red light to warm up the skin tones in the cheeks and lips.

techniques

  • ·portraiture
  • ·value studies
  • ·blending
  • ·layering
  • ·loose brushwork

common pitfalls

  • →Overworking the details and losing the freshness of the original sketch.
  • →Failing to capture the likeness of the figures.
  • →Using too much color and creating a muddy effect.
  • →Ignoring the subtle variations in skin tone.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·raw umber oil paint
  • ·burnt sienna oil paint
  • ·titanium white oil paint
  • ·ivory black oil paint
  • ·cadmium red light oil paint
  • ·#4 round brush
  • ·#6 flat brush

optional

  • ·palette knife
  • ·linseed oil
  • ·odorless mineral spirits

Use a canvas with a smooth surface to allow for easy blending. Consider using a limited palette to simplify the color mixing process.

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oil painting for beginners →how to learn by studying the masters →
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