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home·artworks·Grey Day, Laurentians
Grey Day, Laurentians by A.Y. Jackson

plate no. 0413

Grey Day, Laurentians

A.Y. Jackson, 1928

oilArt Nouveau (Modern)landscapebuildingssnowlandscapeskymountainstrees
some experience helpful

Recreating this painting will help students develop skills in layering colors to create depth and form, as well as understanding how to simplify complex scenes into basic shapes. It also provides practice in creating a sense of atmosphere and mood through color and brushwork.

technical profile

palette complexity
3
brushwork visibility
4
value contrast
3
compositional simplicity
3

study guide

est. 8 hrs

approach — 8 steps

  1. step 01

    Sketch the basic shapes of the buildings, hills, and sky, paying attention to the composition.

  2. step 02

    Block in the large areas of color for the sky, hills, and snow-covered ground using thin washes.

  3. step 03

    Begin layering darker tones to define the shapes of the buildings and the shadows in the snow.

  4. step 04

    Add highlights to the snow and buildings to create a sense of depth and form.

  5. step 05

    Refine the details of the buildings, such as the logs and roofline.

  6. step 06

    Work on the sky, blending colors to create a sense of atmosphere and movement.

  7. step 07

    Add final touches, such as small details in the foreground and subtle variations in the snow.

  8. step 08

    Evaluate and adjust the painting as needed to achieve the desired effect.

color palette

primary · raw umber · titanium white · yellow ochre

secondary · viridian · burnt sienna · payne's grey

Mix raw umber and white for the sky and shadows in the snow. Use yellow ochre and white for the highlights in the snow. Add small amounts of viridian or burnt sienna to the snow to create subtle color variations.

techniques

  • ·layering
  • ·blending
  • ·scumbling
  • ·dry brushing

common pitfalls

  • →Overworking the details and losing the overall sense of atmosphere.
  • →Using too much white and creating a flat, lifeless effect.
  • →Ignoring the subtle color variations in the snow and sky.
  • →Not paying attention to the composition and creating a cluttered or unbalanced painting.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·raw umber oil paint
  • ·titanium white oil paint
  • ·yellow ochre oil paint
  • ·viridian oil paint
  • ·burnt sienna oil paint
  • ·payne's grey oil paint
  • ·assorted brushes (round and flat)

optional

  • ·palette knife
  • ·linseed oil
  • ·turpentine
  • ·easel

Use a medium-grain canvas for best results. Consider using a limited palette to simplify the color mixing process.

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related guides

oil painting for beginners →how to learn by studying the masters →
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