apprentice
artistsserieslearnchatartworkscommunity gallery
apprentice

deliberate practice for serious artists

aboutgalleryprivacyterms
built by reducibl.com
home·artworks·Gravestone
Gravestone by Carl Blechen

plate no. 2344

Gravestone

Carl Blechen, 1823

oil, woodRomanticismlandscapegravestonelandscapetreesskymonumentfoliage
some experience helpful

Recreating this painting will help students develop skills in atmospheric perspective and loose, expressive brushwork to create a sense of mood and depth. It also provides practice in simplifying complex forms into basic shapes and values.

technical profile

palette complexity
3
brushwork visibility
4
value contrast
4
compositional simplicity
3

study guide

est. 8 hrs

approach — 8 steps

  1. step 01

    Prepare a toned canvas with a dark reddish-brown underpainting.

  2. step 02

    Lightly sketch the basic shapes of the gravestone, trees, and horizon line.

  3. step 03

    Block in the sky with a dark purple-grey, blending it slightly towards the horizon.

  4. step 04

    Paint the gravestone using light grey and white, capturing the highlights and shadows.

  5. step 05

    Add the dark foliage around the base of the gravestone, using short, broken brushstrokes.

  6. step 06

    Introduce hints of red and yellow in the foreground to create depth and interest.

  7. step 07

    Add thin, gestural lines for branches and details using a fine brush.

  8. step 08

    Soften edges and blend areas to create a hazy, atmospheric effect.

color palette

primary · ivory black · titanium white · alizarin crimson

secondary · yellow ochre · ultramarine blue

Mix various shades of grey by combining black and white. Use alizarin crimson to create the reddish-brown underpainting and add warmth to the foreground. Mix small amounts of yellow ochre into the darks to create subtle variations.

techniques

  • ·scumbling
  • ·dry brushing
  • ·atmospheric perspective
  • ·broken color
  • ·tonal painting

common pitfalls

  • →Overworking the details, losing the loose and expressive feel.
  • →Creating too much contrast, resulting in a harsh and unrealistic scene.
  • →Failing to blend the colors properly, leading to a disjointed look.
  • →Not establishing a strong tonal foundation before adding details.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·ivory black oil paint
  • ·titanium white oil paint
  • ·alizarin crimson oil paint
  • ·yellow ochre oil paint
  • ·ultramarine blue oil paint
  • ·linseed oil
  • ·#4 round brush

optional

  • ·palette knife
  • ·painting medium
  • ·varnish

A pre-toned canvas with a reddish-brown underpainting will help to establish the overall mood and tonal values of the painting.

tips & new artworks in your inbox

no spam — unsubscribe anytime.

or to save artworks, chat, and track progress

related guides

oil painting for beginners →how to learn by studying the masters →
chat about this artwork

in this vein

related artworks

Romantic Landscape

Romantic Landscape

Karl Lessing

Self-portrait with his brother Francesco

Self-portrait with his brother Francesco

Giuseppe Tominz

Oenone Refuse de Secourir Pâris au Siège de Troie

Oenone Refuse de Secourir Pâris au Siège de Troie

Léon Cogniet

Duke of Alba

Duke of Alba

Francisco Goya

Blick Aus Dem Wald Ins Tal

Blick Aus Dem Wald Ins Tal

Andreas Achenbach

Young Girl Fixing Her Hair

Young Girl Fixing Her Hair

Sophie Gengembre Anderson

The Plough Inn

The Plough Inn

William Shayer

Hudson River Landscape

Hudson River Landscape

Johann Hermann Carmiencke