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home·artworks·Grace Lake
Grace Lake by Franklin Carmichael

plate no. 3582

Grace Lake

Franklin Carmichael, 1934

oilArt Nouveau (Modern)landscapemountainslakeislandscloudslandscapetrees
some experience helpful

Recreating this painting will help students develop skills in layering washes and creating depth through atmospheric perspective. It also provides practice in simplifying complex landscapes into geometric forms.

technical profile

palette complexity
3
brushwork visibility
3
value contrast
3
compositional simplicity
3

study guide

est. 8 hrs

approach — 8 steps

  1. step 01

    Sketch the basic shapes of the mountains, lake, and islands, paying attention to their relative sizes and positions.

  2. step 02

    Apply a light wash of diluted blue to the sky area, leaving some areas white for clouds.

  3. step 03

    Begin layering washes of green, blue, and brown to create the different planes of the mountains, starting with the furthest mountains and working forward.

  4. step 04

    Use darker values to define the shadows and create depth in the mountains.

  5. step 05

    Paint the lake with a light blue wash, adding subtle variations in color to suggest reflections and movement.

  6. step 06

    Add the islands with darker greens and browns, and suggest trees with small, vertical strokes.

  7. step 07

    Paint the foreground with lighter washes of brown, yellow, and green, adding subtle details to suggest vegetation.

  8. step 08

    Refine the details and adjust the values as needed to create a sense of depth and atmosphere.

color palette

primary · cerulean blue · sap green · raw umber

secondary · yellow ochre · burnt sienna

Achieve the various greens by mixing blue and yellow ochre, adjusting the proportions for different shades. Use raw umber to create muted browns and grays for shadows and depth.

techniques

  • ·layering washes
  • ·atmospheric perspective
  • ·color mixing
  • ·dry brushing
  • ·glazing

common pitfalls

  • →Overworking the details and losing the simplicity of the composition.
  • →Using too much water and creating muddy colors.
  • →Not creating enough contrast between the different planes of the landscape.
  • →Failing to suggest depth through atmospheric perspective.

materials

surface · watercolor paper 140lb

required

  • ·watercolor paper 140lb
  • ·watercolor paints
  • ·round brushes (various sizes)
  • ·flat brush
  • ·palette
  • ·water container
  • ·masking tape

optional

  • ·palette knife
  • ·watercolor pencils
  • ·kneaded eraser

Use high-quality watercolor paper to prevent buckling and allow for multiple layers of washes. Experiment with different brush sizes to achieve various effects.

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