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home·artworks·Government Bureau
Government Bureau by George Tooker

plate no. 2037

Government Bureau

George Tooker, 1956

tempera, panelMagic Realismgenre paintingfiguresarchitecturebureaucubiclesinteriorcomputers
some experience helpful

Recreating this painting will help students develop skills in creating smooth gradients and rendering realistic figures in a stylized manner. It also provides practice in perspective and creating a sense of depth through subtle value changes.

technical profile

palette complexity
3
brushwork visibility
1
value contrast
3
compositional simplicity
3

study guide

est. 20 hrs

approach — 8 steps

  1. step 01

    Create a detailed line drawing, paying close attention to perspective and the placement of figures and architectural elements.

  2. step 02

    Underpaint the entire canvas with a thin wash of raw umber to establish the overall tonal values.

  3. step 03

    Begin blocking in the large areas of color, starting with the background and working your way forward.

  4. step 04

    Gradually build up the color and value in each area, using thin layers of paint and smooth blending techniques.

  5. step 05

    Pay close attention to the subtle shifts in color and value that create the illusion of depth and form.

  6. step 06

    Refine the details of the figures and architectural elements, using small brushes and precise strokes.

  7. step 07

    Add the final highlights and shadows to create a sense of realism and dimension.

  8. step 08

    Varnish the painting to protect the surface and enhance the colors.

color palette

primary · raw umber · titanium white · yellow ochre

secondary · cadmium red light · ultramarine blue · burnt sienna

Achieve the muted tones by mixing earth tones with white and small amounts of other colors. Use glazes of diluted colors to create subtle variations and depth.

techniques

  • ·glazing
  • ·smooth blending
  • ·linear perspective
  • ·color layering
  • ·rendering

common pitfalls

  • →overworking the paint
  • →creating muddy colors
  • →ignoring perspective
  • →not paying attention to subtle value changes

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·raw umber oil paint
  • ·titanium white oil paint
  • ·yellow ochre oil paint
  • ·#2 round brush
  • ·#4 flat brush
  • ·linseed oil
  • ·odorless mineral spirits

optional

  • ·palette knife
  • ·medium gloss
  • ·retouch varnish

Use high-quality oil paints for best results. Allow each layer of paint to dry completely before applying the next.

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