apprentice
artistsserieslearnchatartworkscommunity gallery
apprentice

deliberate practice for serious artists

aboutgalleryprivacyterms
built by reducibl.com
home·artworks·Gordale Scar (A View of Gordale, in the Manor of East Malham in Craven, Yorkshire, the Property of Lord Ribblesdale)
Gordale Scar (A View of Gordale, in the Manor of East Malham in Craven, Yorkshire, the Property of Lord Ribblesdale) by James Ward

plate no. 7063

Gordale Scar (A View of Gordale, in the Manor of East Malham in Craven, Yorkshire, the Property of Lord Ribblesdale)

James Ward, 1814

oilRomanticismlandscapecliffscowslandscapewaterfallskyclouds
experienced study

Recreating this painting will help students develop skills in atmospheric perspective, rendering complex geological formations, and creating a sense of depth and scale. It also provides practice in depicting light and shadow in a dramatic way.

technical profile

palette complexity
4
brushwork visibility
4
value contrast
5
compositional simplicity
2

study guide

est. 20 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, focusing on the placement of the cliffs and the waterfall.

  2. step 02

    Establish the darkest and lightest areas of the painting to create a strong value structure.

  3. step 03

    Begin blocking in the colors of the sky and clouds, paying attention to the subtle gradations of tone.

  4. step 04

    Work on the cliffs, layering different shades of brown, gray, and ochre to create the texture of the rock.

  5. step 05

    Add the waterfall, using white and light blue to capture the movement of the water.

  6. step 06

    Paint the foreground, including the cows and the vegetation, using smaller brushes for detail.

  7. step 07

    Refine the details of the painting, such as the texture of the rocks and the highlights on the cows.

  8. step 08

    Add final glazes to unify the colors and create a sense of atmosphere.

color palette

primary · raw umber · titanium white · ultramarine blue

secondary · yellow ochre · burnt sienna · ivory black

Achieve the various rock tones by mixing raw umber, yellow ochre, and a touch of ultramarine blue. Use titanium white to lighten the colors and create highlights. Mix ivory black with ultramarine blue to create the dark shadows.

techniques

  • ·glazing
  • ·scumbling
  • ·dry brushing
  • ·atmospheric perspective
  • ·chiaroscuro

common pitfalls

  • →Failing to establish a strong value structure early on.
  • →Overworking the details and losing the overall sense of atmosphere.
  • →Not paying attention to the subtle color variations in the rocks.
  • →Making the waterfall too bright and distracting.

materials

surface · stretched canvas

required

  • ·stretched canvas 18x24
  • ·oil paints
  • ·turpentine
  • ·linseed oil
  • ·palette
  • ·assorted brushes (round, flat, filbert)
  • ·palette knife
  • ·rags

optional

  • ·retouch varnish
  • ·painting medium

Use a medium-grit canvas to allow for better texture. Consider using a toned canvas (e.g., raw umber wash) to establish a base tone.

tips & new artworks in your inbox

no spam — unsubscribe anytime.

or to save artworks, chat, and track progress

related guides

oil painting for beginners →how to learn by studying the masters →
chat about this artwork

in this vein

related artworks

Romantic Landscape

Romantic Landscape

Karl Lessing

Self-portrait with his brother Francesco

Self-portrait with his brother Francesco

Giuseppe Tominz

Oenone Refuse de Secourir Pâris au Siège de Troie

Oenone Refuse de Secourir Pâris au Siège de Troie

Léon Cogniet

Duke of Alba

Duke of Alba

Francisco Goya

Blick Aus Dem Wald Ins Tal

Blick Aus Dem Wald Ins Tal

Andreas Achenbach

Young Girl Fixing Her Hair

Young Girl Fixing Her Hair

Sophie Gengembre Anderson

The Plough Inn

The Plough Inn

William Shayer

Hudson River Landscape

Hudson River Landscape

Johann Hermann Carmiencke