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home·artworks·Gone to Earth
Gone to Earth by Heywood Hardy

plate no. 4444

Gone to Earth

Heywood Hardy

oilRomanticismanimal paintinghorsesdogsfigureslandscapetreeshunting
experienced study

Recreating this painting will help students develop skills in depicting movement and creating depth through atmospheric perspective. It also provides practice in rendering complex textures like fur and foliage.

technical profile

palette complexity
4
brushwork visibility
4
value contrast
4
compositional simplicity
2

study guide

est. 25 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, focusing on the placement of the horses, figures, and the overall landscape.

  2. step 02

    Establish the main value structure with a thin wash of burnt umber, paying attention to light and shadow.

  3. step 03

    Block in the sky and distant landscape with diluted blues and grays, creating a sense of atmospheric perspective.

  4. step 04

    Begin adding local color to the horses, figures, and dogs, using a limited palette of earth tones and reds.

  5. step 05

    Develop the details of the foliage and ground cover, using broken brushstrokes and varied textures.

  6. step 06

    Refine the figures and animals, paying attention to anatomy and movement.

  7. step 07

    Add highlights and shadows to create form and dimension.

  8. step 08

    Glaze with thin layers of color to unify the painting and enhance the overall mood.

color palette

primary · burnt umber · raw sienna · titanium white · cadmium red

secondary · ultramarine blue · yellow ochre · ivory black

Achieve the warm, earthy tones by mixing burnt umber, raw sienna, and yellow ochre. Use ultramarine blue and ivory black to create cool grays for the sky and distant landscape. Mix cadmium red with burnt umber for the red coats.

techniques

  • ·dry brush texture
  • ·glazing
  • ·scumbling
  • ·atmospheric perspective
  • ·broken color

common pitfalls

  • →Overworking the details too early
  • →Failing to establish a strong value structure
  • →Ignoring atmospheric perspective
  • →Using colors that are too saturated
  • →Losing the sense of movement and energy

materials

surface · stretched canvas

required

  • ·stretched canvas 18x24
  • ·burnt umber oil paint
  • ·raw sienna oil paint
  • ·cadmium red oil paint
  • ·ultramarine blue oil paint
  • ·titanium white oil paint
  • ·round brushes (sizes 2, 4, 6)
  • ·flat brushes (sizes 4, 8)

optional

  • ·palette knife
  • ·linseed oil
  • ·turpentine
  • ·medium gloss

Use high-quality oil paints for best results. A medium-tooth canvas will provide a good surface for capturing the textures in the painting.

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oil painting for beginners →how to learn by studying the masters →
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