apprentice
artistsserieslearnchatartworkscommunity gallery
apprentice

deliberate practice for serious artists

aboutgalleryprivacyterms
built by reducibl.com
home·artworks·Golden sunlight
Golden sunlight by Frederick McCubbin

plate no. 6413

Golden sunlight

Frederick McCubbin, 1914

oilImpressionismlandscapetreeswaterfigureslandscapefoliagelight
some experience helpful

Recreating this painting will help students develop skills in impressionistic brushwork and capturing the effects of light on a landscape. It also provides practice in color mixing to achieve subtle variations in tone and hue.

technical profile

palette complexity
4
brushwork visibility
4
value contrast
3
compositional simplicity
3

study guide

est. 10 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, focusing on the placement of the trees, water, and figures.

  2. step 02

    Establish the overall color scheme by applying thin washes of color to the canvas.

  3. step 03

    Begin building up the foliage with short, broken brushstrokes, using a variety of greens, yellows, and browns.

  4. step 04

    Paint the water, capturing the reflections of the sky and surrounding trees.

  5. step 05

    Add details to the figures, using subtle variations in tone to create form.

  6. step 06

    Refine the highlights and shadows to enhance the sense of depth and atmosphere.

  7. step 07

    Add final details and adjust colors as needed to achieve the desired effect.

  8. step 08

    Let the painting dry and add a varnish layer.

color palette

primary · yellow ochre · ultramarine blue · burnt sienna · titanium white

secondary · sap green · cadmium yellow · raw umber

Mix greens by combining yellow ochre and ultramarine blue. Achieve variations in foliage by adding small amounts of burnt sienna or raw umber to the green mixture. Use white to lighten colors and create highlights.

techniques

  • ·broken brushstrokes
  • ·wet-on-wet blending
  • ·scumbling
  • ·layering
  • ·color mixing

common pitfalls

  • →Overworking the painting and losing the freshness of the brushstrokes.
  • →Using too much detail and not capturing the overall impression of the scene.
  • →Failing to create a sense of depth and atmosphere.
  • →Getting the proportions of the figures wrong.

materials

surface · stretched canvas

required

  • ·stretched canvas (16x20 inches)
  • ·oil paints
  • ·palette
  • ·assorted brushes (round and flat)
  • ·palette knife
  • ·linseed oil
  • ·turpentine
  • ·rags

optional

  • ·painting medium
  • ·easel
  • ·varnish

Use high-quality oil paints for best results. Experiment with different brush sizes and shapes to achieve a variety of textures.

tips & new artworks in your inbox

no spam — unsubscribe anytime.

or to save artworks, chat, and track progress

related guides

oil painting for beginners →color theory for painters →how to learn by studying the masters →
chat about this artwork

in this vein

related artworks

View of the Bosphorus and Rumeli Hisarı

View of the Bosphorus and Rumeli Hisarı

Sevket Dag

Paysage du Midi

Paysage du Midi

Armand Guillaumin

Self-Portrait

Self-Portrait

Frederic Bazille

Tip of the Bay

Tip of the Bay

Max Kurzweil

Long Stemmed Lovelies

Long Stemmed Lovelies

Pino Daeni

At Rosetta, Lower Egypt

At Rosetta, Lower Egypt

John Varley II

House from Oltenia

House from Oltenia

Theodor Pallady

Jewish quarter in Amsterdam

Jewish quarter in Amsterdam

Max Liebermann