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Going Home by Tom Roberts

plate no. 3496

Going Home

Tom Roberts, 1889

oilImpressionismgenre paintingstreetfiguresumbrellacityscapeskyreflection
some experience helpful

Recreating this painting will help students develop skills in atmospheric perspective and capturing the effect of light on wet surfaces. It also provides practice in simplifying forms and using expressive brushstrokes.

technical profile

palette complexity
3
brushwork visibility
4
value contrast
4
compositional simplicity
3

study guide

est. 8 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, focusing on the placement of the figures, street lamp, and horizon line.

  2. step 02

    Block in the large areas of color: the sky, the street, and the dark masses of the figures and buildings.

  3. step 03

    Establish the light source and begin to define the highlights on the wet street.

  4. step 04

    Add details to the figures, street lamp, and buildings, keeping the forms simple and suggestive.

  5. step 05

    Refine the sky, blending colors to create a sense of depth and atmosphere.

  6. step 06

    Create the reflections on the street, paying attention to their distortion and elongation.

  7. step 07

    Add final touches and highlights to enhance the overall effect.

  8. step 08

    Let the painting dry and add a varnish layer for protection.

color palette

primary · yellow ochre · burnt umber · ultramarine blue

secondary · titanium white · cadmium yellow

Mix yellow ochre with burnt umber and white to create the warm tones of the street. Use ultramarine blue and burnt umber to create the darks of the figures and buildings. Add cadmium yellow to the yellow ochre for the sky highlights.

techniques

  • ·wet-on-wet blending
  • ·broken color
  • ·scumbling
  • ·atmospheric perspective
  • ·alla prima

common pitfalls

  • →Overworking the details and losing the loose, impressionistic feel.
  • →Making the reflections too symmetrical or uniform.
  • →Failing to establish a clear light source.
  • →Using colors that are too saturated or bright.

materials

surface · stretched canvas

required

  • ·stretched canvas (12x16 inches)
  • ·oil paints
  • ·palette
  • ·palette knife
  • ·assorted brushes (round and flat)
  • ·linseed oil
  • ·turpentine
  • ·rags

optional

  • ·painting medium
  • ·easel
  • ·varnish

Use a medium-grain canvas for best results. Consider using a limited palette to simplify the color mixing process.

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related guides

oil painting for beginners →color theory for painters →how to learn by studying the masters →
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