apprentice
artistsserieslearnchatartworkscommunity gallery
apprentice

deliberate practice for serious artists

aboutgalleryprivacyterms
built by reducibl.com
home·artworks·Gleaners
Gleaners by Frederick Morgan

plate no. 9108

Gleaners

Frederick Morgan, 1880

oilRomanticismgenre paintingfiguresfieldskycloudsharvestlandscape
some experience helpful

Recreating this painting will help students develop skills in rendering figures in a landscape and understanding atmospheric perspective. It also provides practice in creating texture with brushstrokes and mixing subtle color variations.

technical profile

palette complexity
4
brushwork visibility
3
value contrast
3
compositional simplicity
3

study guide

est. 15 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, paying attention to the placement of the figures and the horizon line.

  2. step 02

    Block in the large shapes of the sky, field, and figures with thin washes of color.

  3. step 03

    Begin to develop the sky, layering different shades of blue and white to create the clouds.

  4. step 04

    Work on the field, using a variety of yellows, browns, and greens to create the texture of the wheat.

  5. step 05

    Add details to the figures, paying attention to the light and shadow on their clothing and faces.

  6. step 06

    Refine the details of the landscape, adding trees, bushes, and other elements.

  7. step 07

    Add highlights and shadows to create depth and dimension.

  8. step 08

    Make final adjustments and refinements to the painting.

color palette

primary · yellow ochre · ultramarine blue · burnt umber · titanium white

secondary · cadmium yellow · raw sienna · alizarin crimson

Mix various shades of yellow ochre and burnt umber with white to create the tones of the field. Use ultramarine blue and white for the sky, adding a touch of yellow ochre for the horizon. Mix alizarin crimson with burnt umber and white for the skin tones.

techniques

  • ·layering
  • ·blending
  • ·dry brushing
  • ·scumbling
  • ·atmospheric perspective

common pitfalls

  • →Overworking the details too early
  • →Not establishing a clear value structure
  • →Using colors that are too saturated
  • →Ignoring the effects of light and shadow

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·oil paints
  • ·assorted brushes (round and flat)
  • ·palette
  • ·linseed oil
  • ·turpentine
  • ·palette knife

optional

  • ·medium gloss
  • ·easel
  • ·rags

Use a medium-grit canvas for best results. Allow each layer of paint to dry before applying the next.

tips & new artworks in your inbox

no spam — unsubscribe anytime.

or to save artworks, chat, and track progress

related guides

oil painting for beginners →how to learn by studying the masters →
chat about this artwork

in this vein

related artworks

Romantic Landscape

Romantic Landscape

Karl Lessing

Self-portrait with his brother Francesco

Self-portrait with his brother Francesco

Giuseppe Tominz

Oenone Refuse de Secourir Pâris au Siège de Troie

Oenone Refuse de Secourir Pâris au Siège de Troie

Léon Cogniet

Duke of Alba

Duke of Alba

Francisco Goya

Blick Aus Dem Wald Ins Tal

Blick Aus Dem Wald Ins Tal

Andreas Achenbach

Young Girl Fixing Her Hair

Young Girl Fixing Her Hair

Sophie Gengembre Anderson

The Plough Inn

The Plough Inn

William Shayer

Hudson River Landscape

Hudson River Landscape

Johann Hermann Carmiencke