
plate no. 9675
Thomas Girtin, 1797
Recreating this painting will help students develop skills in atmospheric perspective and rendering architectural details with loose, expressive brushstrokes. It also introduces the concept of creating depth through subtle value changes.
technical profile
approach — 8 steps
Lightly sketch the main shapes: the tower, cathedral, and building on the right.
Establish the horizon line and the perspective of the street.
Apply a thin wash of diluted raw sienna and burnt umber for the underpainting of the buildings and street.
Add a light blue wash for the sky, leaving some areas lighter to suggest clouds.
Begin building up the details of the tower and cathedral with darker washes of burnt umber and Payne's gray, focusing on the shadows.
Use a fine brush to add details like windows and architectural features.
Paint the figures with small, quick strokes, using a mix of blue and brown.
Add final details and highlights with a dry brush technique, using lighter shades of the existing colors.
color palette
primary · raw sienna · burnt umber · Payne's gray
secondary · light blue · white
Mix raw sienna and burnt umber for the warm tones of the buildings. Use Payne's gray to create shadows and architectural details. Dilute colors with water to achieve different values.
techniques
common pitfalls
surface · watercolor paper 140lb
required
optional
Use high-quality watercolor paper to prevent buckling. Experiment with different brush sizes to achieve various effects.
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