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home·artworks·Giverny Landscae, in Monet's Garden
Giverny Landscae, in Monet's Garden by Lilla Cabot Perry

plate no. 5005

Giverny Landscae, in Monet's Garden

Lilla Cabot Perry, 1897

oilImpressionismlandscapetreesbuildingfoliagegardenlandscapelight
some experience helpful

Recreating this painting will help students develop skills in broken color techniques and capturing the effects of light filtering through foliage. It also provides practice in creating depth through layering and color temperature.

technical profile

palette complexity
4
brushwork visibility
5
value contrast
4
compositional simplicity
3

study guide

est. 12 hrs

approach — 8 steps

  1. step 01

    Sketch the basic shapes of the shed, trees, and horizon line using light pencil strokes.

  2. step 02

    Block in the main areas of color: the shed, foliage, tree trunks, and sky peeking through the trees.

  3. step 03

    Begin layering colors using short, broken brushstrokes to create the impression of light and shadow.

  4. step 04

    Focus on capturing the variations in green and blue in the foliage, using different values and hues.

  5. step 05

    Add details to the shed, such as the roofline and the shadows on the walls.

  6. step 06

    Refine the tree trunks and branches, paying attention to their shapes and the way they recede into the distance.

  7. step 07

    Add highlights to the foliage and shed to create a sense of depth and dimension.

  8. step 08

    Make final adjustments to the colors and values to achieve a harmonious composition.

color palette

primary · ultramarine blue · yellow ochre · sap green · burnt umber

secondary · cadmium yellow · alizarin crimson · titanium white

Mix greens by combining yellow ochre and ultramarine blue, adjusting the ratio for different shades. Use white to lighten colors and create highlights. Create shadows by mixing burnt umber with ultramarine blue or alizarin crimson.

techniques

  • ·broken color
  • ·optical mixing
  • ·scumbling
  • ·layering
  • ·alla prima

common pitfalls

  • →Overmixing colors, resulting in muddy tones.
  • →Focusing too much on detail, losing the overall impressionistic effect.
  • →Ignoring the variations in color and value within the foliage.
  • →Creating harsh lines instead of soft, broken edges.

materials

surface · stretched canvas

required

  • ·stretched canvas (16x20 inches)
  • ·oil paints
  • ·palette
  • ·palette knife
  • ·assorted brushes (round and flat)
  • ·linseed oil
  • ·odorless mineral spirits
  • ·rags

optional

  • ·painting medium (e.g., Liquin)
  • ·easel
  • ·varnish

Use high-quality oil paints for best results. A medium-sized canvas is recommended for beginners.

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related guides

oil painting for beginners →color theory for painters →how to learn by studying the masters →
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