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home·artworks·Giudecca Canal
Giudecca Canal by Franz Richard Unterberger

plate no. 4239

Giudecca Canal

Franz Richard Unterberger, 1900

oil, canvasRomanticismcityscapecanalbuildingsboatswaterskyfigures
some experience helpful

Recreating this painting will help students develop skills in atmospheric perspective and capturing the reflections of light on water. Students will also learn how to create a sense of depth and detail in architectural subjects.

technical profile

palette complexity
4
brushwork visibility
4
value contrast
3
compositional simplicity
3

study guide

est. 15 hrs

approach — 8 steps

  1. step 01

    Lightly sketch the main shapes: buildings, boats, and the horizon line.

  2. step 02

    Establish the sky with a thin wash of light blue and white, blending softly.

  3. step 03

    Block in the large shapes of the buildings with a mix of ochre, sienna, and white, paying attention to the light and shadow.

  4. step 04

    Add the basic shapes of the boats and figures, using darker tones for the gondolas and lighter tones for the sails.

  5. step 05

    Begin layering the water, using horizontal brushstrokes and varying shades of blue, green, and grey to create reflections.

  6. step 06

    Refine the details of the buildings, adding windows, balconies, and architectural elements with smaller brushes.

  7. step 07

    Add highlights to the water and buildings to create a sense of light and sparkle.

  8. step 08

    Adjust values and colors as needed to create a cohesive and atmospheric painting.

color palette

primary · yellow ochre · burnt sienna · ultramarine blue · titanium white

secondary · raw umber · cadmium yellow · alizarin crimson

Mix ochre and sienna with white for the buildings. Use ultramarine blue and white for the sky and water. Add small amounts of alizarin crimson to create warmer tones in the buildings and reflections.

techniques

  • ·atmospheric perspective
  • ·broken color
  • ·glazing
  • ·scumbling
  • ·wet-on-wet blending

common pitfalls

  • →Overworking the details in the buildings too early.
  • →Making the water too uniform and lacking in reflections.
  • →Failing to establish a clear light source.
  • →Using colors that are too saturated, losing the atmospheric effect.

materials

surface · stretched canvas

required

  • ·stretched canvas 18x24
  • ·oil paints
  • ·linseed oil
  • ·palette
  • ·assorted brushes (round, flat, filbert)
  • ·palette knife
  • ·odorless mineral spirits
  • ·rags

optional

  • ·painting medium
  • ·retouch varnish
  • ·easel

Use a medium-tooth canvas for best results. Consider using a glazing medium to enhance the luminosity of the colors.

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oil painting for beginners →how to learn by studying the masters →
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