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home·artworks·Girls in the Garden
Girls in the Garden by Frank W. Benson

plate no. 5667

Girls in the Garden

Frank W. Benson, 1906

oilImpressionismgenre paintingfiguresgardentreesgrasssunlightflowers
some experience helpful

Recreating this painting will help students develop skills in capturing light and shadow, as well as creating a sense of depth and atmosphere using color and brushwork. It's also a good exercise in painting figures in a landscape setting.

technical profile

palette complexity
4
brushwork visibility
4
value contrast
3
compositional simplicity
3

study guide

est. 12 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, focusing on the placement of the figures and the main elements of the landscape.

  2. step 02

    Establish the overall color scheme by laying in broad washes of color for the sky, grass, and trees.

  3. step 03

    Block in the figures with simplified shapes, paying attention to the light and shadow on their forms.

  4. step 04

    Begin to refine the details of the landscape, adding texture and variation to the grass, trees, and flowers.

  5. step 05

    Develop the figures further, adding details to their clothing and faces, and refining their poses.

  6. step 06

    Pay close attention to the way the light interacts with the scene, and adjust the colors and values accordingly.

  7. step 07

    Add final details and highlights to create a sense of depth and realism.

  8. step 08

    Step back and assess the overall composition, making any necessary adjustments to balance the elements.

color palette

primary · yellow ochre · titanium white · raw umber

secondary · sap green · cadmium yellow · alizarin crimson

Mix various shades of green by combining yellow ochre, sap green, and raw umber. Achieve the warm highlights on the figures and foliage by mixing titanium white with cadmium yellow and a touch of alizarin crimson.

techniques

  • ·broken color
  • ·scumbling
  • ·alla prima
  • ·impasto
  • ·layering

common pitfalls

  • →Overworking the details and losing the freshness of the brushwork.
  • →Failing to capture the subtle variations in color and value.
  • →Ignoring the way the light interacts with the scene.
  • →Creating muddy colors by overmixing.
  • →Not establishing a clear focal point.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·oil paints
  • ·palette
  • ·assorted brushes
  • ·linseed oil
  • ·turpentine
  • ·palette knife

optional

  • ·painting medium
  • ·varnish
  • ·easel
  • ·rags

Use a medium-grain canvas to allow for texture. Consider using a limited palette to simplify the color mixing process.

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related guides

oil painting for beginners →color theory for painters →how to learn by studying the masters →
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