apprentice
artistsserieslearnchatartworkscommunity gallery
apprentice

deliberate practice for serious artists

aboutgalleryprivacyterms
built by reducibl.com
home·artworks·Girls Dancing, a Pastoral Symphony
Girls Dancing, a Pastoral Symphony by George Hemming Mason

plate no. 3401

Girls Dancing, a Pastoral Symphony

George Hemming Mason, 1869

oilRomanticismsketch and studyfiguresbeachseaskygrassdresses
some experience helpful

Recreating this painting will help students develop skills in capturing movement with loose brushstrokes and creating atmospheric perspective with muted colors. It also provides practice in simplifying forms and focusing on overall impression rather than precise detail.

technical profile

palette complexity
3
brushwork visibility
4
value contrast
3
compositional simplicity
4

study guide

est. 8 hrs

approach — 8 steps

  1. step 01

    Lightly sketch the basic shapes of the figures, horizon line, and major landscape elements.

  2. step 02

    Block in the sky and sea with thin washes of color, establishing the overall tone.

  3. step 03

    Add the basic colors for the ground and vegetation, using loose, broken brushstrokes.

  4. step 04

    Establish the dark and light areas of the figures' clothing, focusing on the folds and movement.

  5. step 05

    Refine the shapes of the figures and add details to their faces and hair.

  6. step 06

    Add highlights to the dresses to suggest light and movement.

  7. step 07

    Adjust the colors and values of the landscape to create depth and atmosphere.

  8. step 08

    Add final details, such as small flowers or blades of grass, to enhance the overall impression.

color palette

primary · raw umber · titanium white · Prussian blue · yellow ochre

secondary · burnt sienna · ivory black · alizarin crimson

Achieve the muted tones by mixing complementary colors and adding white. Use raw umber and white for the sandy areas, and Prussian blue with a touch of yellow ochre for the sea.

techniques

  • ·scumbling
  • ·dry brushing
  • ·atmospheric perspective
  • ·broken color
  • ·alla prima

common pitfalls

  • →Overworking the details and losing the loose, painterly quality.
  • →Using colors that are too bright or saturated.
  • →Creating hard edges that flatten the forms.
  • →Failing to capture the sense of movement and atmosphere.

materials

surface · stretched canvas

required

  • ·stretched canvas 12x16
  • ·oil paints
  • ·round brushes (sizes 2, 4, 6)
  • ·palette knife
  • ·linseed oil
  • ·palette
  • ·rags
  • ·odorless mineral spirits

optional

  • ·medium gloss
  • ·easel
  • ·palette cup

Use a medium-tooth canvas to allow for the broken brushstrokes. Consider toning the canvas with a thin wash of raw umber before starting.

tips & new artworks in your inbox

no spam — unsubscribe anytime.

or to save artworks, chat, and track progress

related guides

oil painting for beginners →how to learn by studying the masters →
chat about this artwork

in this vein

related artworks

Romantic Landscape

Romantic Landscape

Karl Lessing

Self-portrait with his brother Francesco

Self-portrait with his brother Francesco

Giuseppe Tominz

Oenone Refuse de Secourir Pâris au Siège de Troie

Oenone Refuse de Secourir Pâris au Siège de Troie

Léon Cogniet

Duke of Alba

Duke of Alba

Francisco Goya

Blick Aus Dem Wald Ins Tal

Blick Aus Dem Wald Ins Tal

Andreas Achenbach

Young Girl Fixing Her Hair

Young Girl Fixing Her Hair

Sophie Gengembre Anderson

The Plough Inn

The Plough Inn

William Shayer

Hudson River Landscape

Hudson River Landscape

Johann Hermann Carmiencke