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home·artworks·Girl with rabbits
Girl with rabbits by Felix Schlesinger

plate no. 9094

Girl with rabbits

Felix Schlesinger

oil, canvasRomanticismgenre paintingfigurerabbitsinteriorclothinganimalsfoliage
some experience helpful

Recreating this painting will help students develop skills in rendering realistic figures and animals, as well as creating depth and atmosphere through subtle color variations and tonal values. Students will also practice painting textures like fur and fabric.

technical profile

palette complexity
4
brushwork visibility
3
value contrast
3
compositional simplicity
3

study guide

est. 20 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, focusing on the placement of the figure and rabbits.

  2. step 02

    Establish the background with thin washes of neutral colors, building up layers to create depth.

  3. step 03

    Block in the main shapes of the figure and rabbits, paying attention to proportions and anatomical accuracy.

  4. step 04

    Begin layering colors to define the forms and create highlights and shadows.

  5. step 05

    Add details to the figure's face, clothing, and hair, as well as the rabbits' fur and features.

  6. step 06

    Refine the background and add any remaining details, such as the foliage and interior elements.

  7. step 07

    Glaze the painting with thin layers of color to unify the composition and enhance the overall atmosphere.

  8. step 08

    Add final highlights and shadows to create a sense of depth and realism.

color palette

primary · burnt umber · raw sienna · titanium white · cadmium red

secondary · ultramarine blue · yellow ochre · sap green

Achieve the skin tones by mixing raw sienna, cadmium red, and titanium white. Create the browns for the rabbits by mixing burnt umber, raw sienna, and a touch of ultramarine blue. Use yellow ochre and sap green to create the greens for the foliage.

techniques

  • ·underpainting
  • ·layering
  • ·glazing
  • ·dry brushing
  • ·scumbling

common pitfalls

  • →Overworking the details too early in the process.
  • →Failing to establish a strong value structure.
  • →Using colors that are too saturated or unrealistic.
  • →Ignoring the subtle color variations in the shadows and highlights.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·oil paints
  • ·linseed oil
  • ·turpentine
  • ·palette
  • ·assorted brushes (round and flat)
  • ·palette knife
  • ·rags

optional

  • ·medium gloss
  • ·retouch varnish
  • ·easel

Use a medium-grit canvas for optimal texture. Consider using a limited palette of colors to simplify the mixing process.

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oil painting for beginners →how to learn by studying the masters →
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