apprentice
artistsserieslearnchatartworkscommunity gallery
apprentice

deliberate practice for serious artists

aboutgalleryprivacyterms
built by reducibl.com
home·artworks·Girl with Pink Ribbon
Girl with Pink Ribbon by George Luks

plate no. 7706

Girl with Pink Ribbon

George Luks

oil, canvasImpressionismportraitportraitgirlribbonflowerdresshair
some experience helpful

Recreating this painting will help students practice loose brushwork and capturing likeness in portraiture. It also provides an opportunity to explore color temperature and subtle value changes in skin tones.

technical profile

palette complexity
3
brushwork visibility
4
value contrast
3
compositional simplicity
4

study guide

est. 8 hrs

approach — 8 steps

  1. step 01

    Sketch the basic shapes and proportions of the girl's head, shoulders, and dress.

  2. step 02

    Block in the background with a dark, muted green.

  3. step 03

    Establish the main skin tones using a mix of warm and cool colors.

  4. step 04

    Paint the hair, focusing on the direction of the brushstrokes to indicate form.

  5. step 05

    Add the pink ribbon and flower, paying attention to the highlights and shadows.

  6. step 06

    Develop the details of the dress with loose, expressive brushstrokes.

  7. step 07

    Refine the facial features, focusing on capturing the likeness.

  8. step 08

    Add final highlights and shadows to create depth and dimension.

color palette

primary · titanium white · burnt umber · cadmium red · yellow ochre

secondary · viridian green · ultramarine blue

Mix skin tones by blending white, yellow ochre, cadmium red, and a touch of burnt umber. Achieve the pink ribbon color by mixing white and cadmium red. Mute colors with complementary colors.

techniques

  • ·alla prima
  • ·broken color
  • ·scumbling
  • ·color mixing
  • ·portraiture

common pitfalls

  • →Overworking the details and losing the loose, impressionistic feel.
  • →Getting the proportions wrong in the initial sketch.
  • →Using colors that are too saturated or bright.
  • →Failing to capture the likeness of the subject.

materials

surface · stretched canvas

required

  • ·stretched canvas 12x16
  • ·oil paints (titanium white, burnt umber, cadmium red, yellow ochre, viridian green, ultramarine blue)
  • ·round brushes (sizes 2, 4, 6)
  • ·palette
  • ·palette knife
  • ·linseed oil
  • ·odorless mineral spirits
  • ·rags

optional

  • ·medium gloss
  • ·easel
  • ·mahl stick

Use a medium-grit canvas for better paint adhesion. Consider using a toned canvas to establish a base color.

tips & new artworks in your inbox

no spam — unsubscribe anytime.

or to save artworks, chat, and track progress

related guides

oil painting for beginners →color theory for painters →how to learn by studying the masters →
chat about this artwork

in this vein

related artworks

View of the Bosphorus and Rumeli Hisarı

View of the Bosphorus and Rumeli Hisarı

Sevket Dag

Paysage du Midi

Paysage du Midi

Armand Guillaumin

Self-Portrait

Self-Portrait

Frederic Bazille

Tip of the Bay

Tip of the Bay

Max Kurzweil

Long Stemmed Lovelies

Long Stemmed Lovelies

Pino Daeni

At Rosetta, Lower Egypt

At Rosetta, Lower Egypt

John Varley II

House from Oltenia

House from Oltenia

Theodor Pallady

Jewish quarter in Amsterdam

Jewish quarter in Amsterdam

Max Liebermann