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Girl with Peaches by Valentin Serov

plate no. 4190

Girl with Peaches

Valentin Serov, 1887

oil, canvasImpressionismportraitfigureportraitapplestableinteriorwindow
some experience helpful

Recreating this painting will help students develop skills in portraiture, capturing light and shadow, and creating a sense of atmosphere through color and brushwork. It also provides practice in depicting textures like fabric and fruit.

technical profile

palette complexity
4
brushwork visibility
4
value contrast
3
compositional simplicity
3

study guide

est. 15 hrs

approach — 8 steps

  1. step 01

    Begin with a light sketch to establish the basic composition and proportions of the figure and objects.

  2. step 02

    Block in the main shapes and colors, focusing on the overall value structure.

  3. step 03

    Start with the background, then move to the figure, and finally the still life elements.

  4. step 04

    Develop the skin tones using subtle layers of color, paying attention to the light and shadow.

  5. step 05

    Refine the details of the face, especially the eyes and mouth.

  6. step 06

    Add details to the clothing and objects, focusing on capturing their textures.

  7. step 07

    Adjust the values and colors as needed to create a sense of depth and atmosphere.

  8. step 08

    Add final highlights and details to complete the painting.

color palette

primary · titanium white · yellow ochre · alizarin crimson · raw umber

secondary · ultramarine blue · cadmium yellow · ivory black

Achieve skin tones by mixing white, yellow ochre, and alizarin crimson with small amounts of raw umber and ultramarine blue. Create the pink of the dress by mixing white and alizarin crimson. Use yellow ochre and cadmium yellow for the apples and leaves.

techniques

  • ·alla prima
  • ·broken color
  • ·scumbling
  • ·glazing
  • ·portraiture

common pitfalls

  • →Overmixing colors, resulting in muddy tones.
  • →Getting the proportions of the face wrong.
  • →Failing to capture the subtle variations in skin tone.
  • →Ignoring the importance of light and shadow.
  • →Overworking the painting and losing the freshness of the brushwork.

materials

surface · stretched canvas

required

  • ·stretched canvas 16x20
  • ·oil paints (listed in color palette)
  • ·#4 round brush
  • ·#6 flat brush
  • ·#8 filbert brush
  • ·palette
  • ·linseed oil
  • ·turpentine

optional

  • ·palette knife
  • ·painting medium
  • ·varnish

Use a medium-grain canvas for best results. Consider using a limited palette to simplify the color mixing process.

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related guides

oil painting for beginners →color theory for painters →how to learn by studying the masters →
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