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home·artworks·Girl with Peaches
Girl with Peaches by Valentin Serov

plate no. 4190

Girl with Peaches

Valentin Serov, 1887

oil, canvasImpressionismportraitfigureportraitapplestableinteriorwindow

From the record

Dimensions
91 cm high × 85 cm wide
Institution
Tretyakov Gallery
Location
Tretyakov Gallery
Inception
1887
Materials
oil paint, canvas
  • Vera Mamontova

Wikipedia article · Wikidata item Q4156438

from the sources

  • The painting depicts 11-year-old Vera Mamontova, a daughter of the entrepreneur and arts patron Savva Mamontov. en.wikipedia.org

    “The painting depicts 11-year-old Vera Mamontova, a daughter of Russian entrepreneur and patron of the arts Savva Mamontov.”

  • The painting was made at Abramtsevo, an estate near Moscow. en.wikipedia.org

    “It was painted at Abramtsevo, an estate not far from Moscow.”

  • Serov had known Vera Mamontova since she was a baby because he often visited the Mamontov estate at Abramtsevo. en.wikipedia.org

    “Valentin Serov knew Vera Mamontova from her babyhood, as he frequently visited Mamontov's Abramtsevo estate, and sometimes he even lived there for lengthy periods of time.”

  • Serov said he worked on the painting for over a month and aimed to preserve a quality of freshness in it. en.wikipedia.org

    “I painted it for over a month and tortured her, poor child, to death, because I wanted to preserve the freshness in the finished painting, as you can see in old works by great masters.”

  • The painting won first prize at the Exhibition of the Moscow Society of Lovers of Art in 1887. en.wikipedia.org

    “In 1887 the painting won first prize at the Exhibition of the Moscow Society of Lovers of Art.”

  • Igor Grabar, Serov's friend and biographer, praised the painting as the masterpiece of Russian painting. en.wikipedia.org

    “Serov's friend and biographer, Russian art historian Igor Grabar, acclaimed it as "the masterpiece of Russian painting".”

  • The painting's style resembles that of the French Impressionists, though Serov had not yet encountered their work when he painted it. en.wikipedia.org

    “has much in common with the French Impressionists, [Serov] did not become acquainted with their work until after he had painted [it]”

study guide

est. 15 hrs

approach — 8 steps

  1. step 01

    Begin with a light sketch to establish the basic composition and proportions of the figure and objects.

  2. step 02

    Block in the main shapes and colors, focusing on the overall value structure.

  3. step 03

    Start with the background, then move to the figure, and finally the still life elements.

  4. step 04

    Develop the skin tones using subtle layers of color, paying attention to the light and shadow.

  5. step 05

    Refine the details of the face, especially the eyes and mouth.

  6. step 06

    Add details to the clothing and objects, focusing on capturing their textures.

  7. step 07

    Adjust the values and colors as needed to create a sense of depth and atmosphere.

  8. step 08

    Add final highlights and details to complete the painting.

color palette

primary · titanium white · yellow ochre · alizarin crimson · raw umber

secondary · ultramarine blue · cadmium yellow · ivory black

Achieve skin tones by mixing white, yellow ochre, and alizarin crimson with small amounts of raw umber and ultramarine blue. Create the pink of the dress by mixing white and alizarin crimson. Use yellow ochre and cadmium yellow for the apples and leaves.

techniques

  • ·alla prima
  • ·broken color
  • ·scumbling
  • ·glazing
  • ·portraiture

common pitfalls

  • →Overmixing colors, resulting in muddy tones.
  • →Getting the proportions of the face wrong.
  • →Failing to capture the subtle variations in skin tone.
  • →Ignoring the importance of light and shadow.
  • →Overworking the painting and losing the freshness of the brushwork.

materials

surface · stretched canvas

required

  • ·stretched canvas 16x20
  • ·oil paints (listed in color palette)
  • ·#4 round brush
  • ·#6 flat brush
  • ·#8 filbert brush
  • ·palette
  • ·linseed oil
  • ·turpentine

optional

  • ·palette knife
  • ·painting medium
  • ·varnish

Use a medium-grain canvas for best results. Consider using a limited palette to simplify the color mixing process.

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related guides

oil painting for beginners →color theory for painters →how to learn by studying the masters →
chat about this artwork

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