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home·artworks·Girl with hood
Girl with hood by Ernest Hébert

plate no. 5526

Girl with hood

Ernest Hébert, 1890

oilRomanticismportraitfigureportraithoodlandscapetreesclothing
some experience helpful

Recreating this painting will help students develop skills in portraiture, particularly capturing soft lighting and subtle color variations in skin tones and drapery. It also offers practice in creating a sense of depth and atmosphere with loose, expressive brushwork.

technical profile

palette complexity
3
brushwork visibility
4
value contrast
3
compositional simplicity
4

study guide

est. 12 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, focusing on the placement and proportions of the figure.

  2. step 02

    Establish the background with broad strokes of dark browns and greens, leaving areas for highlights.

  3. step 03

    Block in the main shapes of the figure and hood with a mid-tone base color.

  4. step 04

    Begin layering in lighter and darker values to define the form of the face and drapery.

  5. step 05

    Pay close attention to the subtle color variations in the skin tones, using thin glazes.

  6. step 06

    Add details to the face, such as the eyes, lips, and hair, using small brushes.

  7. step 07

    Refine the drapery folds and highlights, using a combination of blending and dry brush techniques.

  8. step 08

    Add final touches to the background, such as small highlights and textures.

color palette

primary · burnt umber · raw sienna · titanium white

secondary · alizarin crimson · yellow ochre

Achieve the skin tones by mixing raw sienna, titanium white, and a touch of alizarin crimson. Use burnt umber and yellow ochre for the background, adjusting the values with white.

techniques

  • ·glazing
  • ·dry brushing
  • ·blending
  • ·scumbling
  • ·chiaroscuro

common pitfalls

  • →Overworking the details in the background, which can distract from the figure.
  • →Using too much paint, which can result in a muddy or heavy appearance.
  • →Failing to capture the subtle color variations in the skin tones.
  • →Making the edges too sharp, which can create a flat or unrealistic look.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·burnt umber oil paint
  • ·raw sienna oil paint
  • ·titanium white oil paint
  • ·alizarin crimson oil paint
  • ·yellow ochre oil paint
  • ·#4 round brush
  • ·#6 flat brush

optional

  • ·palette knife
  • ·linseed oil
  • ·turpentine
  • ·medium gloss

Use a high-quality canvas and oil paints for best results. Consider using a medium to thin the paint and improve flow.

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oil painting for beginners →how to learn by studying the masters →
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