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home·artworks·Girl with Goat
Girl with Goat by Clarence Gagnon

plate no. 3324

Girl with Goat

Clarence Gagnon, 1905

oilImpressionismlandscapetreeslandscapefiguregoatpathsky
some experience helpful

This painting provides a good opportunity to practice creating depth through atmospheric perspective and layering. Students can also learn to simplify complex forms into basic shapes.

technical profile

palette complexity
3
brushwork visibility
4
value contrast
4
compositional simplicity
3

study guide

est. 8 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, focusing on the placement of the trees, figure, and horizon line.

  2. step 02

    Establish the background colors, using lighter and cooler tones to create atmospheric perspective.

  3. step 03

    Block in the dark tree trunks, paying attention to their verticality and spacing.

  4. step 04

    Add the foliage, using short, broken brushstrokes to suggest leaves and branches.

  5. step 05

    Paint the figure and goat, simplifying their forms and focusing on their overall shapes.

  6. step 06

    Refine the details, such as the texture of the ground and the highlights on the trees.

  7. step 07

    Add final touches to the sky and background, adjusting the colors and values as needed.

  8. step 08

    Let dry and add a varnish.

color palette

primary · burnt umber · ultramarine blue · titanium white

secondary · yellow ochre · raw sienna · payne's gray

Mix various shades of brown and gray by combining burnt umber, ultramarine blue, and white. Use yellow ochre and raw sienna to create warm highlights on the foliage.

techniques

  • ·dry brush texture
  • ·atmospheric perspective
  • ·broken brushstrokes
  • ·layering
  • ·scumbling

common pitfalls

  • →Overworking the details and losing the overall impressionistic effect.
  • →Making the tree trunks too uniform and lacking variation.
  • →Failing to create a sense of depth in the background.
  • →Not simplifying the forms of the figure and goat.

materials

surface · stretched canvas

required

  • ·stretched canvas 12x16
  • ·burnt umber oil paint
  • ·ultramarine blue oil paint
  • ·titanium white oil paint
  • ·yellow ochre oil paint
  • ·round brushes (sizes 2, 4, 6)
  • ·linseed oil
  • ·palette

optional

  • ·palette knife
  • ·medium gloss
  • ·easel

Use a medium-grain canvas for best results. Consider using a limited palette to simplify the color mixing process.

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related guides

oil painting for beginners →color theory for painters →how to learn by studying the masters →
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